Wow Them At The End Of Your Presentation
It is rare to see a presentation completed well, be it inside the organization, to the client or to a larger audience. The energy often drops away, the voice gradually fades out and there is no clear signal that this is the end. The narrative arc seems to go missing in action at the final stage and the subsequent silence becomes strained. It sometimes reminds me of classical music performances, when I am not sure if this is the time to applaud or not.
First and last impressions are critical in business and in life, so why leave these to random chance? We need to strategise how we will end, how we will ensure our key messages linger in the minds of the listeners and how we will have the audience firmly enthralled, as our permanent fan base.
Endings are critical pieces of the presentation puzzle and usually that means two endings not just one. These days, it is rare that we don’t go straight into some form of Q&A session, once the main body of the talk has been completed. So we need an ending for the presentation just given and we need another ending after the Q&A. Why the second one, why not just let it end with the final question?
The pro never lets that happen. Even the most knee quivering, voice choking, collar perspiration drenched, meltdown of a speaker is in 100% control while they have the floor. The audience usually let’s them speak without denunciation or persistent interruption. Life changes though once we throw the floor open to take questions. At that point speaker control is out the window and the street fight begins.
The members of the audience are able to ask rude, indignant questions, challenging everything you hold to be true. They can denounce you as a charlatan, scoundrel, dilettante and unabashed poseur. Sometimes, they even launch forth into their own mini-speech, usually unrelated to whatever it was you were talking about. Or they move the conversation off to a new place, which has nothing to do with your keynote content.
The original topic of your talk is now a distant memory. That is why the pros ensure they bring it all back together with a final close to the proceedings. The last word is now with the speaker, not some provocateur who happened to turn up to the event.
There are a number of ways of bringing the speech home. In the first close, before the Q&A, we might harken back to something we said in our opening, to neatly tie the beginning and end together. Or we might restate the key messages we wish to get across. Another alternative is a summary of the key points to refresh everyone’s recollection of what we were saying. We might end with a memorable story that will linger in the minds of the audience, that encapsulates all that we wanted to say.
When we do this, we should be picking out key words to emphasise, either by ramping our vocal power up or taking it down in strength, to differentiate from the rest of what we are saying. Speaking with the same vocal power throughout just equates the messages together and because it is not clear enough, makes it hard for the audience to buy what we are selling,
At the end of the final sentence we need to hit the power button and finish with a rising crescendo to really put the passion behind our position. Many speakers allow their voice to become weedy and just trail off into oblivion. They appear exhausted and energy drained, rather than on fire with belief. Instead of fading out, we need to bring energy to our final words. We then add a small pause to let our words sink in with the audience and then smoothly move into inviting audience Q&A.
Don’t miss this key point: always specify the time available for Q&A at the very start when you call for Q&A – never, ever leave it open ended. Why not? If you are facing a rabid gathering of foes, critics and opponents and you just end proceedings, it looks cowardly and weak, as if you can’t take it when things get hot. By mentioning the amount of time available for Q&A at the first close and then referring back to it again at the end, allows you to depart with your dignity intact. Just ending, packing up and departing can make you to look like an wimp, scurrying out the door, because you can’t take it. Not a great final impression.
Also, if you are trained on how to handle a hostile audience, you will sail out of there looking like an absolute legend. Few people have any clue on what to do when under pointed attack. The rest of the audience will look at you in awe and admiration, because they know if it had been them up there on the stage, they would have been mince meat. By the way, we teach this, if you are interested to know what to do when the gloves come off and all hell breaks loose, let us know!
Now, back to our topic. The second or final close can be very similar to what we discussed earlier for the first close. Tie it all together or re-state key points or a summary. In addition, this is also the point to use a pertinent quotation to leave a rousing call to action in the minds of your audience. Again, the voice rises in strength at the end of the final sentence. Don’t let it fade away.
When you get the ending right, you can then thank your audience, relax and bask in their warm applause. This is a good feeling.
Action Steps
Engaged employees are self-motivated. The self-motivated are inspired. Inspired staff grow your business but are you inspiring them? We teach leaders and organisations how to inspire their people. Want to know how we do that? Contact me at greg.story@dalecarnegie.com
If you enjoy these articles, then head over to www.japan.dalecarnegie.com and check out our "Free Stuff" offerings - whitepapers, guidebooks, training videos, podcasts, blogs. Take a look at our Japanese and English seminars, workshops, course information and schedules.
About The Author
Dr. Greg Story: President, Dale Carnegie Training Japan
In the course of his career Dr. Greg Story has moved from the academic world, to consulting, investments, trade representation, international diplomacy, retail banking and people development. Growing up in Brisbane, Australia he never imagined he would have a Ph.D. in Japanese decision-making and become a 30 year veteran of Japan.
A committed lifelong learner, through his published articles in the American, British and European Chamber journals, his videos and podcast “THE Leadership Japan Series”, he is a thought leader in the four critical areas for business people: leadership, communication, sales and presentations. Dr. Story is a popular keynote speaker, executive coach and trainer.
Since 1971, he has been a disciple of traditional Shitoryu Karate and is currently a 6th Dan. Bunbu Ryodo (文武両道-both pen & sword) is his mantra and he applies martial art philosophies and strategies to business.
That Vital Two Second Window
Question: how long does it take you on average to form a first impression of someone? My presentation training participants tell me “two seconds”. Wow, I nearly fell over when I heard that the first time. I was thinking, “what does this mean for the speaker?”. It could be in the boardroom, the meeting room, at the networking event, a public presentation or at the pitch to the client. Regardless of the occasion, one thing is sure – everyone is a critic.
Think back to the last time you saw someone present – be it an update, a project submission, an overview or a fully fledged speech. Were you indulging in a little mental aside, “I hope this is good”, as you swiveled around in your chair to view the speaker? Did the speaker get right into it or was there some logistical finessing of the laptop, the lapel mike (“can you hear me?”) or the notes being shuffled on the rostrum? Was the speaker looking at the audience or up at the huge screen behind them or down at their laptop? Did we have some good old hand microphone thumping to see if it was working properly? If there were any such diversions, then our two second window for the first impression has come and gone completely.
What would help us to maximize this incredibly brief two second window we have been given? Getting straight into the content without any distractions, is so important because it allows us to set the tone for the occasion.
Traditionally, we could thank the organisers for the opportunity to present. Doing this with a huge, warm smile would be a good use of the two seconds. Even if nature has not blessed you with a killer smile, give us the best you can do.
We could start by telling an episode, an incident, a story. We love listening to interesting stories involving real life and real people, because we can easily identify with the content.
We could refer to a member of the audience, immediately shattering the mental barrier separating speaker and audience. “Anne Smith from XYZ and I were chatting earlier and she made a very good observation about….”. We are now one unit – audience and speaker. We are being inclusive and this is a powerful connector that promotes a positive first impression. It also helps to lessen the critic propensity in our audiences.
After having launched into proceedings, we can now backtrack and use the laptop, our notes, the spreadsheets or whatever we need to explain the content. Rather than wasting our initial two second window on these adjustments, we instead get right into it and capture the attention of our audience from the very start. Once captured let’s keep them so.
Japan has a few set pieces with presentations. I am sure you will have seen some of these: have trouble with the technology, not be conversant with the content because one of the underlings prepared it, kick off with a perfunctory apology for being a poor speaker. To really set the tone, now look down and read every single word on the screen or on the notes page. Non-Japanese speakers though are often guilty of the same things, especially jet setting big shots winging in from afar for a cameo appearance.
Another powerful tool, left in pristine condition through underuse is voice quality. Again nature may not have blessed you with a deep throated baritone or mellifluous instrument that harkens the angels, but no matter, do the best with what you have. That means speak clearly, with sufficient volume, so that you can easily be heard. Use the microphone properly by holding it just under your chin and speaking across the mesh.
Have some variation in the delivery so it is not totally predictable. Hit key words with a roar or a whisper to highlight them. At the start, go for the roar rather than the whisper. Show confidence through voice power. Slowing the words down for emphasis is equally powerful. For example, “This--is--the--moment” and delivered slowly with a dramatic pause after each word. Our attention is all yours and we are bursting to know where you are going with this talk.
Eye power is a must. Pick a single person about half way down the middle of the venue and start by speaking directly to them. Smile and look them in the eye. We have now personalised our interaction in that first few seconds and created a connection with the audience.
I recommend holding the person’s gaze for around six seconds, as this allows for engagement without generating fear of retina radiation burn. Spend the entire talk selecting one person after another, randomly selected and speak to them maintaining eye contact. Do this without allowing your sight lines to stray to the floor, ceiling or the back wall. Keep your eyes glued on your audience. You not only want to enhance that one-to-one personal connection with your listeners, you also want to gauge their reaction to what you are saying.
This means carefully instructing the venue organisers beforehand to not drop the lights on the audience or yourself. You want to be able to read their faces for confirmation they are with you. We also want them to be able to see us clearly, rather than disappearing into the shadows on stage. As often happens, someone “helpfully” plunges the venue into darkness, so your slides are easier to see. Stop what you are doing and ask that the lights be brought back up and don’t continue until that happens.
Don’t leave it to random chance or good fortune – decide to own the first impression and enjoy the glide to the finish. When we understand how important the start is, we make sure it is a winner for us. After all you only have a couple of seconds to nail that positive first impression.
Engaged employees are self-motivated. The self-motivated are inspired. Inspired staff grow your business but are you inspiring them? We teach leaders and organisations how to inspire their people. Want to know how we do that? Contact me at greg.story@dalecarnegie.com
If you enjoy these articles, then head over to www.japan.dalecarnegie.com and check out our "Free Stuff" offerings - whitepapers, guidebooks, training videos, podcasts, blogs. Take a look at our Japanese and English seminars, workshops, course information and schedules.
About The Author
Dr. Greg Story: President, Dale Carnegie Training Japan
In the course of his career Dr. Greg Story has moved from the academic world, to consulting, investments, trade representation, international diplomacy, retail banking and people development. Growing up in Brisbane, Australia he never imagined he would have a Ph.D. in Japanese decision-making and become a 30 year veteran of Japan.
A committed lifelong learner, through his published articles in the American, British and European Chamber journals, his videos and podcast “THE Leadership Japan Series”, he is a thought leader in the four critical areas for business people: leadership, communication, sales and presentations. Dr. Story is a popular keynote speaker, executive coach and trainer.
Since 1971, he has been a disciple of traditional Shitoryu Karate and is currently a 6th Dan. Bunbu Ryodo (文武両道-both pen & sword) is his mantra and he applies martial art philosophies and strategies to business.