This seems a ridiculous construct – of course we when we are presenting in business we shouldn’t lie. However, look at what is happening in the rest of the world. Kellyanne Conway introduced “alternative facts” into the American political debate to explain lies. Donald Trump rails against the fake media and fake news. It would appear that many people, including leading Republicans, think he lies a lot, and yet half of the American electorate support him. Are we now in a free fall where anything goes? I know this is dangerous territory to wade into, because to paraphrase basketball legend and entrepreneur Michael Jordan, “Republicans also buy sneakers and corporate training”.
Donald Trump wrote in the Art Of the Deal that, “I call it truthful hyperbole. It’s an innocent form of exaggeration – and a very effective form of promotion”. This idea is often linked to German Propaganda Minister Joseph Goebbels quote, “If you repeat a lie often enough, it becomes the truth”.
So when we are presenting, is it allowed to introduce exaggeration? You could answer that question by applying a gauge on the extent of the exaggeration. Is a small exaggeration acceptable or is the line struck such that no exaggerations are allowed? In Japan, at least, I would suggest that no one in business uses any “truthful hyperbole” or “alternative facts”, or exaggeration whatsoever.
This whole focus on fake news has created an audience full of cynics and doubters. We all feel it. Every single day, I receive multiple fake emails and messages trying to get me to click on their attachment, or give them information so that they can rob me. These fakes are getting better and better in sophistication. More and more often, I have to contact the firm they are claiming to be from, to check they actually sent me that email or not. Back in the day, you took your chances outside with highwaymen and pirates. Today the modern era equivalents come over the internet through your email provider. As a consequence, we are all highly tuned up on fakery and dirty dealings.
As a presenter, if we start exaggerating, our audience will doubt not just that point we are making, they will doubt every subsequent word which comes out of our mouth. They will also warn all of their friends and colleagues to be careful of us, because we cannot be trusted, because we are a bold faced liar.
As presenters, recognising that the world is spiralling further and further down, with political discourse peppered with lies, we have to differentiate ourselves or some of this mud will get attached to us as well. The way to do that is to offer proof, evidence, data, statistics, testimonials demonstrations, exhibits etc. If we show a slide with a reference to some data, we need to include the source of that data. Probably 99% of the audience won’t check it, but it doesn’t matter, we have to presume they will all check it and we need our information to be tight. If we make a claim we have to be able to back it up with proof that what we are saying is true. We have to see the audience in front of us as one filled with battle hardened sceptics and supreme doubters and prepare accordingly.
We must also realise this is only going to get worse and that the doubt factor will be applied to more and more of what we say. We have to be very, very careful about making statements which stand on their own. An opinion is fine and we have to flag it as exactly that, an opinion. Every other statement needs to be surrounded by provable evidence.
The key is in the preparation. We have an important message we want to get across. What are the main points we will make and what proof do we offer to back up our claims. That evidence has to be verifiable and cannot be “alternative facts” or “truthful hyperbole” or subtle exaggeration. Depending on the situation we might distribute some additional documents which nominate the sources for what we are saying to head off any doubt arising in the minds of the listeners. As things degrade further, we can be proactive about it, rather than trusting that people will take what we say at face value. As I mentioned earlier with slides, we definitely have to include the references to any data or claims we are making.
“If in doubt leave it out” is always good advice when stitching the presentation together. If I see a slide with a reference to statistics from 2019, I wonder why is the speaker showing such outdated data and why can’t they offer something more credible. Are they cunning, lazy or stupid? Now, both their point and they themselves are firmly placed in my “highly doubtful box”.
In Japan, by the way, official government statistics are usually three years out of date. What should be an official, reliable source of information is made dubious by its antiquity. We have to be very careful about claims we make and the proof we offer to back them up. As usual, the Americans are leading the way for the rest of the world to become highly sceptical about what we are all being told. This pungent mud can stick to us as presenters too, no matter where we are located.
Tell the truth, back up what you say with verifiable data and avoid “alternative facts”, “truthful hyperbole” and exaggeration. This is the path forward if we want to be regarded as credible presenters.
It was a big affair. The entire Shinsei Bank retail staff were assembled for a series of updates from the Division Heads on what each Division was doing and where they were going. One of my erstwhile lifelong banker colleague Division Head gave his presentation. It was dull, monotone, low energy and not engaging in the least. Unfortunately for him, it was my turn next. By this time, thanks to my previous work as a Senior Trade Commissioner and Consul-General for Australia, I had given hundreds of public speeches, mainly in Japanese, to audiences of all different stripes in Japan.
I knew how to give this talk in a way which would be interesting for the audience and in a way in which I could grab their attention. My sharp elbowed colleague instantly recognised there were light years between his miserable efforts and my professionalism.
Did he commit to self-improvement, to build the biggest skyscraper in town, to become excellent in public speaking? No. He sought out ways to pull down all the other skyscrapers, so that his could be the tallest instead. He informed all in earshot, except for me of course, that “Greg is all style and no substance”.
When this comment was duly reported to me, honestly, I just burst our laughing. Not in an exaggerated thespian, ironic way, but a genuine belly laugh, because the idea was so ridiculous, so preposterous, so revealing about his insecurities. I had given enough public speeches by that time to know it wasn’t just style that was engaging my audiences.
What was ironic was that originally I was scouted to leave Austrade and join Shinsei’s Retail Bank, because of a speech I gave to the American Chamber of Commerce here in Tokyo. In fact, that speech changed the direction of my career, although I didn’t realise it at the time.
Recently, I was reading an article by Kathryn Brownell in the Financial Times, where she referenced the first televised debate between Kennedy and Nixon in 1960. Nixon didn’t understand the medium of television as well as Kennedy. Kennedy saw the opportunity to speak directly to voters, rather than just relying on highlighting policy differences. I recall some reports I have come across at different times, which said that those who only listened to the debate, gave it to Nixon, while those who watched, gave it to Kennedy.
Nixon certainly made the complaint that the televised debate format brought in a new era where “politicians focused on style over substance”. It was a dividing line between eras and the future belonged to those who mastered the skills needed to be successful with the new medium. Kamala Harris killed Donald Trump in the recent debate and that wasn’t just style and no substance. She was extremely well prepared and brought all guns blazing to what Trump thought was going to be a knife fight.
So what about businesspeople presenting here in Tokyo? I recall coaching a Japanese President who forsook the opportunity to do a professional speech, because he felt his vendor audience wouldn’t be ready for it. He knew what to do but chose to not do it. That was highly perplexing to me as his coach, but standing out in Japan is never a popular course of action. He just gave the same old boring monotone performance, because that was the norm for his company and industry. It was painful for me to watch and know what he could have done instead.
I saw another local businessperson give a very good performance, as he was a skilled presenter. However, when I sat back and thought about what he was saying, as opposed to just being mesmerised by how he was saying it, I felt there wasn’t much meat in that speech.
Before Covid, I saw Shigeru Ishiba, a Liberal Democratic Party hopeful, currently trying to secure the Party Presidency and thereby become Prime Minister, give a talk as part of a panel discussion. He was slumped in his chair, looking bored and his comments were lifeless, monotone and dull. However, when I closed my eyes and listened to what he was actually saying, it had more impact. If he wants to run this country, I hope he has improved as a communicator since then.
It is obviously not a choice between style and substance. We need both, and I want to replace the word “style” with “professionalism”, to make the point clearer. Talking crap fluently is no help and neither is being valuable, but not being heard. The big difference between Harris and Trump, I believe, was in their understanding of the occasion and the preparation for it. This is precisely the same for us in business. If we spend all of our time crafting the slide deck and none on the rehearsal, then our talk will not be optimised.
Observe any public talks today and even the good speakers face some people in the crowd who have whipped out their phones and are no longer concentrating on what is being said. Having great content, which is ignored by the audience, because we are unskilled and so boring is no better than turning up with weak content. We fail to have any impact.
Let's wrap our numbers up in stories, so that people can remember them. Let’s work on our professional delivery skills, so that we can keep the listeners with us, from start to end. Let’s defeat the mobile phone, as the escape alternative to what we are saying. By the way, it will only get worse. We have no time to lose to improve our communication capability.
Recently I was teaching a class of technical experts to have more impact when they spoke. Like many specialists, their areas of expertise required great detailed knowledge and experience and they have to interact with other non-expert parts of the organisation. In their case, they have to report to senior management and they also had to deal with the sales team. The brief from HR was that the senior leaders didn’t take sufficient note of their reporting and advice because of the way they were delivering the information. Salespeople were also pushing back on the direction they were receiving and not accepting what they were being told either. They needed more impact when they spoke.
When we started the session, we discussed with them the areas where they wanted to improve. Many people mentioned being more clear and succinct when they spoke. They felt that the complexity of what they were trying to convey sometimes made it difficult for the listeners. Also, rambling during their explanation was identified as an issue.
One thing which I noticed was common across the group was their level of energy when they spoke. They were bringing the same voice strength they would employ when having a chat over coffee with their friend to their presentations. In Japan, this is a very typical area for more work needed when we are teaching presentation skills. When we are speaking up in a meeting or standing before a group, we have to switch gears and bring a lot more vocal range to the content of what we are saying.
Not every word should have the same voice strength, though, but that is what a lot of people do. They give keywords the exact same voice power, as they do less important words and phrases in the sentence. This is highly democratic, but not very useful when trying to get our message across. We need to either hit those keywords with more volume or we need to strip the volume out and make it an audible whisper. Both will work. Applying the same strength throughout the sentence from go to whoa is the death knell of messaging.
Voice modulation is critical to keeping an audience with us. Listeners are so easily lost today to the allure of the internet on their phones and if they feel disengaged they are gone, gone, gone. If the vocal power is set at the same dial strength from beginning to end, then listeners will just tune us out, as it becomes repetitious and morphs into a boring, sleep actuating monotone. Like classical music, we need crescendos and the opposite, decrescendos or lulls.
The problem though, is often we have a lot on our mind and are supremely nervous. We are not even aware that we are speaking at the one constant volume or in a monotone throughout our talk. By the way, this doesn’t have to be a formal talk. It can happen in a normal meeting, where we are presenting some results or giving some guidance on what needs to happen next. We lapse into a monotone and we are tuned out by the assembled masses.
Now, the nervousness has to be a best kept secret when we are speaking. During the training, it often happened that someone would suddenly laugh nervously during their talk as the pressure mounted within them. That laugh is a physical release from the internal mental pressure building up inside their mind. We can be nervous, but this information has to be kept from the audience, because it instantly diminishes our credibility as a speaker.
We were filming the talks and for the first round we had them do the talk facing the camera and conducted at a ninety-degree angle to the audience. In this way, the speaker couldn’t easily see the faces in the audience. Instead, they had to concentrate on me as the coach. We sometimes do this to try to lessen the pressure of having to present to a crowd where there are a lot of beady eyes and faces staring back at us. Later, when they had gained more confidence and poise, we had them give their talk directly facing everyone and they were able to do it without looking nervous.
Remember, only we know we are feeling nervous. If we don’t show it and if we speak with a strong voice, we come across as confident and the audience will believe us. That strong voice part can be a problem, though, for a lot of ladies who speak very softly. One of the dangers is that their soft voice is ignored by the executives, usually men, who they are presenting to. They lack what is called “executive presence” and a big part of that is confidence, portrayed though voice stength. Fair or unfair, a meek, soft, tiny voice just won’t command the attention and credibility of hard driving male bosses.
When these softly spoken ladies were presenting, and I asked them to increase their voice volume, I would ask their colleagues if they thought they were yelling? The answer would always be “no”. I would then ask if they thought they could go even louder and the answer would always be “yes”. What a difference it made when they did. Being softly spoken, for them, it felt like they were yelling. However, from an audience point of view, they just sounded very confident, credible and clear.
We can get into a debate about whether women should have to change their speaking style to pander to men, but reality is reality. Men occupy a disproportionate share of senior executive positions in most companies and they are an important audience for these ladies. By making a small change, they will be heard as opposed to being ignored, which was the current situation in this company.
When we understand that our presenting voice cannot be at the same volume as our coffee chat with a friend volume, we will make the required adjustments. The good news is that the results are immediate and we come across with a lot more credibly.
Josh Shapiro, the Governor of Tennessee, was regarded by many as certain to be Kamala Harris’s pick for the role of Vice President, as part of her campaign to defeat Donald Trump. Ultimately, she chose Tim Walz. The six-minute speaking spot at the Democratic National Convention then, was a good opportunity for Shapiro to position his own future credentials for a run for the Presidency. Barack Obama used his 2004 keynote spot to catapult himself into the limelight, as a relatively unknown eight year Senator from Illinois.
Therefore, I was expecting a very good speech from Shapiro, but I was disappointed. To me, it seemed to fall flat. This evaluation has nothing to do with political affiliation, because as an Aussie, I have no right to take part in the coming election. I am just using his talk by way of analysis of what works and what doesn’t and as a guide for business people who give speeches.
Now we have to be careful of expert evaluations. I was watching a video from an American guy who was also evaluating the Convention speeches. He started with “I am a speech coach” and he then made a fatal error, which for me at least, indicated he was a fraud or at least a total dud, as far as being a speech coach is concerned.
What did he say? He mis-quoted the famous research from Professor Albert Mehrabian on key factors when presenting. The dubious speech coach started telling everyone that what was being said was 7% of the impact, 38% was based on the voice and 55% on how they appeared. That is total crap and if you ever have that quoted to you, run far from that person, because they are clueless and dangerous. Mehrabian’s research had a critical caveat on when those numbers apply. He said that when what we say is incongruent with the way we say it, the audience gets distracted. They subsequently focus on how we sound and how we look, as opposed to what is the content of our talk. However, if we are congruent, then the audience pays attention to our message and is not distracted, so voice quality and how we dress become less important.
Rant over and back to Shapiro and what went wrong. I am not just comparing him against the absolute, so let me include some other prominent speakers who were also considered for the role of Vice President by Harris. I looked at Gretchen Whitmer and Mark Kelly’s speeches. For me, I thought Kelly was wooden in his delivery and not able to really connect and engage his audience, so he is out as a model.
Whitmer was the star in my evaluation. Shapiro was talking at us, whereas Whitmer was speaking with us. Shapiro used only one volume control throughout his six minutes – strident. Whitmer used modulation and had variety in how she got her message across. Sometimes soft, sometimes strong, and always engaging.
In business talks, we want this facility to vary our delivery so that it isn’t all soft or all strong, but mixed together and re-formed in the right way, at the right moments. Remember Mehrabian – we need congruency between the content and the delivery. A strong emphasis on a word lifts its appeal, as does an audibly whispered version and we should use both.
Whitmer employed personal stories and examples we could to relate to in order to make her point. Shapiro was mainly just using powerful motivational exhortations. I wondered whether the organisers had allocated different roles to each of the speakers, but I doubt that was the case. Each of these high-profile speakers would have worked on their speeches in isolation to best reflect what they wanted.
Being told what to think by the speaker is not as effective as providing context, evidence and laying out some alternate ideas. Constant and rigorous admonitions are hard for an audience to handle because it tires them out. You could tell from the applause that the audience was struggling. During Whitmer’s speech they were energised and the difference was quite stark, I thought.
So when we are giving business talks, we should definitely be including relevant stories wherever we can. If we can make these personal stories, that is the best because audiences will identify more strongly in those cases. We are looking for points of agreement and commonality with the speaker and we need more information about them to be able to do that. Just telling an audience what they need to do isn’t going to provide that personal connection. Also, audiences don’t remember statistics as well as they remember stories. In business, we have tons of stories to draw on, but often we don’t go looking hard enough to find them. We have plenty of numbers, but let’s go find the stories we can wrap them in.
We can’t be lecturing the audience on how they should think about an issue. We need to lay out information and insight and guide the audience to agree with the stance we have arrived at based on the context and our experience with the issue.
Whitmer used humour well to create a better personal connection with the audience, whereas Shapirio was deadly serious from woe to go. Whitmer was relaxed and smiling and Shapiro looked taut and ardent.
In business, we need to look for ways to help our audience relax. Smiling is good, but somewhat difficult, when you are feeling nervous. Humour is also not an easy one either and that is why it is generally left to the professionals – comedians and politicians. Nevertheless, we can at least try to appear we are relaxed and happy to have the audience listen to us. Just a calm vibe is enough to help an audience relax.
So we can take away some lessons from Shapiro and Whitmer and inject the learnings into our own talks.
Watching the avalanche of speakers to the Democratic National Convention has been interesting. Some really hit the mark and others not so much. What makes the difference? From what I could see they were all using teleprompters, so effectively they are reading what they wrote to us. Some I felt were just reading back to us what they wordsmithed and others connected with us. How did they do that?
Comfort with the medium is a big differentiator. There is also the issue of which teleprompter you look at, because they had them left, center and right. Too much rapid head turning is distracting. Burrowing into just one screen seems to be denying the love to the other areas of the audience.
Teleprompters are set at certain speeds and the advanced models will coordinate with your personal timing. You stop and it will wait until you start again. I couldn’t tell which type they were using, but I would have to expect the most advanced tech was being used for such an important event. Nevertheless, it was obvious that the cadence for some people was slightly off and that may be because they don’t get a chance to give many speeches using teleprompters.
If you think about the case of businesspeople, I would guess that 99.9% of those located in Japan, have never had an occasion to use one. So here is a hint, don’t make your speech your test bed for trying out a teleprompter. Get hold of one early and practice with it until you feel comfortable.
Holding the moment is another skill. Imagine facing an audience of 25,000 people and having your face projected on the most monstrously huge JumboTron screen for the folks in the cheap seats at the back. You also have all of those at home tuning it on television to watch, an audience of around 29 million people, plus all the social media views. That would make anyone nervous, but the pros are not feeling rushed or speeding up because their pulse rate is going through the roof. They know how to hold the moment and build anticipation for what they are about to say. As business folk, we have to have the same ability to hold the moment. Probably we won’t have a massive audience putting incredible pressure on us, so we should be able to manage it, if we do our planning well.
Pausing is a tough skill. You feel the pressure to speak, but the ability to deny that itch is important. By creating a gap between what you have just said, what you are saying now and then between that and what you will say next is powerful. I thought Michelle Obama did a masterful job of combining the anticipation component with her pauses. The speaker’s one liners are like a punchline for a comedian and timing makes all the difference. Too short doesn’t work and so does too long, so it is a real skill to find the right gap.
The key for businesspeople is to programme in pauses at certain points of emphasis in the talk. These pauses will highlight and illuminate the key point we want to make and have it rise above all the other points we are making.
Energy is a tricky beast. Too much and you are seen as verging on insanity or at least hysteria. I recall when I saw Kimberly Guilfoyle at the Republican National Convention, it seemed too much to me. Her speech felt histrionic and just too forced.
Too little and the connect with the audience is hard to establish. Biden and Clinton are both losing their voice strength and it stood out in terms of the energy they could bring to their points.
Where is the line is a good question? There is a tendency to go hard from start to finish, rather than having some modulation. That is easy to say but hard to do, with 25,000 people screaming out, while you are talking. You feel you have to project above the noise of the room.
In business, that is not a likely scenario, so we can have better control over where we insert strength and softness throughout our talk and we should be aiming for both.
In my observation, American politics continues to descend into a morass of nastiness topped up with a lot of name calling and rabid criticism of the other side. In my native country of Australia, politicians won’t publicly call their opponents “stupid” or “weird”, because they know the voting public won’t accept that type of behaviour. In our national Parliament during the policy debates, the language is carefully monitored by the Speaker and always kept within the bounds of propriety. As in most things, America is a different planet, especially when it comes to domestic politics and elections.
What about in business when we are giving public speeches in Japan? Should we call elected officials or bureaucrats “stupid” or “useless”, as we rail and lament against their shortsighted, unwieldy, ludicrous, ridiculous policies? Can we attack our sneaky, underhanded competitors in public and complain about the evils they are doing? In general, can we do some good old-fashioned whining and complaining about whatever is aggravating us at the minute? Basically, the answer is “no”.
We don’t have American style comparison advertising here in Japan because it is banned. Showing your product’s better virtues up against the opposition is felt to be endangering societal harmony and is against the law. The thought of a Japanese CEO publicly laying into a Minister or official, regarding some policy felt to be egregious or unfair, is unthinkable. In general, public venting is not a thing here.
The fear of the consequences to the firm by the Government taking revenge as a result of the public name calling is certainly a part of it. Future applications requiring official approval may suddenly get slowed right down or rejected outright. Maybe a surprise tax audit suddenly springs up out of nowhere. Complaining publicly about your company’s rival is thought to be very low-level, unrefined behaviour (品がない- hinganai) and would reflect very badly on your firm’s brand and reputation.
We can mention about industry wide negative events like the 2008 Lehman Shock, the 2011 triple whammy of earthquake, tsunami and triple nuclear reactor meltdown and the 2020 pandemic. Referencing the hard times resulting from these external events is acceptable, because we all probably suffered to some extent during these recent events, too. We can’t labour the point though and we can’t go into too much hidden detail about the impact on our businesses. If we share too much data, the thought will arise that we are unstable and maybe not long for this business world.
The Phoenix is a symbol here of rising for the ashes and Japan loves a good resurrection story. We can lay out in general terms that things got very bad and talk about how the team pulled together and we made it through. Going into detail about how we did it is a good idea. Everyone loves to learn lessons at the expense of others, rather than themselves. Balancing negativity with hope and revival is the key. Even if things are not totally hunky-dory just yet, talking about what you are doing to get out of the hole you are in is of interest to the audience.
In my experience, the glass tends to be half empty in Japan most of the time, so we have to make an effort to break out of that formula. Telling people things are bad garners a “so what” reaction, because that is how they see things as being normal and not news to anyone. From another angle, I don’t think too many Japanese enjoy schadenfreude though, at hearing about our troubles. Telling listeners how things were bad and that now they are slowly improving is felt to be more interesting. Our efforts to revive are seen as worthy and admirable, because we are ( 頑張ってる - ganbatteru) or working hard and that is a good thing in Japan.
Japan suffers earthquakes, tsunami, typhoons, flooding, landslides etc., on a regular basis, so every year there is some area wiped out. On television, we see scenes of people trying to rebuild their businesses and lives and their efforts are respected. “But for them, there go I”, being the prevailing thought.
We don’t have to be Pollyanna in our talks, expounding how wonderful and successful we are. That approach is not well regarded either, because it sounds elf-serving and boastful. Leavening the good with the bad is a better balance and better accepted when giving speeches in Japan.
Most business speeches are very definitive. We did this, and it worked for us and you could do the same and also get similar results. Usually, we are asked to speak because we have had good results and have rich experience in our industry. The hosts believe that others will be interested in hearing what we did, so that they can take lessons from it and they will be able to pull a crowd. The problem is today we are in the Age Of Distraction and the Era of Cynicism.
If what we are offering doesn’t sound valuable or sounds dubious, then the audience loses interest immediately and lunge for their phones to hit the internet and escape from us. Once upon a time, listeners would sit there politely and absorb what we were saying and wait to reach judgement. Now we have to win them over from the very start.
They are also more sceptical than in times past and are constantly on the prowl for fake news. No wonder though, given the barrage of scams and fake information hammering us every day. I constantly get fake emails trying to get me to click on something that will allow them to take over my computer and clean out my bank account. The fakes have become more and more sophisticated and sometimes I have trouble telling if they are real or not. I have had to ring my bank or my credit card company to check that what I have received is legit or not. They are now that realistic. Little surprise people are on guard.
This combination of short attention spans and cynicism about what we are telling them makes it very much harder to advance our arguments when we are speaking. One approach is to use a couple of simple tools. One is the rule of three and the other is recency.
Basically, audiences cannot take in more than three points and remember them, so to prove our arguement, we should assemble the strongest three points we can come up with. The way to use these three points, though, is not to just list them and explain what they mean. This Age of Cynicism demands that we offer more balance. We should list the pros and cons associated with each point we are making. So as we go through them, we offer the pluses and minuses for each point.
I remember when I was an undergraduate student doing Modern Asian Studies at Griffith University in Brisbane, we had a guest lecturer come in to talk about the causes of the Battle Of Sekigahara. Tokugawa Ieyasu won that battle and set up a dynasty which lasted for hundreds of years and it was a major turning point in Japanese history.
He started by going through a long list of the usual explanations for the events leading to the battle, and it was all very convincing. I was sitting there in the front row busily making notes. He then proceeded to pull down each of these standard arguments and replace them with his own interpretation of events. It was a powerful intellectual example of providing balance and therefore becoming much more convincing than if he had just rattled off what he thought explained the situation.
We should do the same with the points we are making in our talk and provide balance. This invites the audience to observe that we are not being dogmatic and that we are considered and looking for fairness in our argument. It is very disarming. We don’t present a static target to be attacked because we are demonstrating our intellectual flexibility.
Additionally, the recency phenomena is a key contributor to being believed. We all tend to remember best what we heard last. So, of the three points, the strongest recommendation should come last. We do the same thing with the pros and cons for each point. Finally, we offer the last point as our strongest recommendation for the audience. They heard this last, so it has the impact of being the most memorable argument and therefore more likely to be accepted.
Is running it last cheating? No, we are just adapting our order to best suit human psychology to have the best shot at convincing the listeners of our argument. We have shown balance by going through the pluses and minuses and we just order the points in a way which is the most convincing and effective.
So next time you give a talk, consider how you can introduce more balance in the argument you are making. If you do, the chances are much higher that you will be believed and well regarded as an expert in your field. This will advance your professional and personal brands.
I am not an American, so I cannot vote. I always tread the line of neutrality when discussing what is happening in America, turning myself into the Switzerland of speech giving advice. Previously, I have written about the presenting skills of both Biden and Trump. Now I move on to the new Democratic candidate for the US Presidency.
Republican politicians and Fox pundits criticise Kamala Harris for only being coherent and capable when she is reading her lines off a teleprompter. I have no idea if that is true or not, because I don’t see enough of her unscripted talks. Donald Trump, apparently, has trouble reading teleprompters and so he prefers to speak extemporaneously. He is often criticised for rambling and going off message.
Teleprompters are certainly part of the machinery for politicians and sometimes for captains of industry. I was coaching a German executive who headed up a large Japanese manufacturer here. He had an international keynote due to be delivered in English. The major Japanese PR company had brought in a single teleprompter for him and set it up to his left. Actually, I didn’t work well because the teleprompter was like a magnet and his ability to engage his audience was compromised.
Audience members on his left got all the love. Those on the right and in the centre got almost nothing from him. I suggested he drop the teleprompter or get one for the other side as well. In the end, he went with just his notes as prompts. This was so much better. He also wasn’t reading his speech word for word, which was a major blessing.
I read a funny story the other day about Barrack Obama when he was President giving a speech based on a written text. You can imagine how much vetting goes into a Presidential speech before it is delivered and how carefully the wordsmithing is considered. Midway through the talk, he turned the page over and he suddenly realised one of his staff had managed to miss placing the next page there for him. He had to wing it on the spot, which he did. So even written speeches can provide unnecessary excitement and potential heart attacks for the speaker. Remember folks, only we know what we are going to say, so we can wing it if we have to. The lesson for all of us though is to always check the pages are all there before we give the talk.
A couple of things I think we can learn from Kamala Harris are timing, creating anticipation and relaxation. I notice she has very good timing with her delivery when giving campaign speeches. Even if you are using a teleprompter, getting the right cadence is not easy. She makes good employ of pauses when she is speaking. This is smart because for most of us we get nervous giving a big speech and consequently, we can tend to speed up.
This happened to me. I was giving my very first public speech. It was in Tokyo and in Japanese to some unlucky Sundai Yobiko prep school students. I was terrified that my poor Japanese grammar would be totally unintelligible and a mess, so I wrote the whole thing out. I did this romaji which uses the English alphabet to reproduce the Japanese sounds for words. My Japanese tutor Ms. Higashi helped me to put the speech together, so I was ready for the big day, for my first public speaking debut. I looked down at my page the whole time, read every word and never engaged my audience in the slightest. It was a total disaster, which put me off public speaking for many, many years.
Originally, I was scheduled to give a twenty-five-minute talk. My hands were sweating, I felt red hot, my mouth was as dry as the Sahara desert, my pulse rate was pounding and so elevated I finished the whole thing in eight minutes. The point is that when we get nervous, we can really speed up. Kamala Harris doesn’t do that because she injects a lot of pauses to control the cadence of her talks.
These pauses allow the audience to diligently digest what has just been said and for each point to be clearly heard. Even though we may find ourselves speeding up, the judicial placement of some pauses enables us to control the pace, regroup and slow down. In her case, she often gets applause throughout her talk. Pauses allow her to avoid speaking over the applause. Now, this is unlikely to be a problem for any of us in business when giving speeches, but pauses are still a valuable tool for cadence and clarity.
She is also quite skilled at slowing down her remarks to draw out the anticipation of what she is about to say. The audience correctly guesses where she is going with her remarks and they applaud before she even gets there. We may not get any applause midway through our business talk, but we can use the same idea of building anticipation by slowing down. Let’s make sure we get the audience to mentally meet us where we are going with our points.
She is also very relaxed and looks like she is enjoying herself. I am struggling to think of too many CEOs here in Japan who I have seen in action looking relaxed and like they are enjoying the occasion. I see Japanese Presidents, in particular, utilising the corporate video so that they can reduce the amount of torture they have to endure, by cutting down the time they have to speak.
If we are feeling the pressure and are nervous, it is very hard to look relaxed and like you are enjoying yourself. As we get more experienced and add more notches on our speaking belt, the process improves. We can seem more relaxed and like we are enjoying the opportunity to proclaim our message. Until that happens, it is a good idea to fake it until we make it. A nervous presenter makes the audience uncomfortable. We all want to see people presenting who are bursting with skill and confidence.
Looking cool, calm and collected makes it much easier for our audience to accept what we are selling. Confidence convinces and bolsters the words we are saying. Try speaking with the face muscles relaxed, the body language congruent with the words being used and pay careful attention to gestures. Nervous people tend to get stuck in the same gesture and hold it for way too long. After fifteen seconds, that gesture loses all of its power and just becomes annoying to an audience.
So copy Kamala and be relaxed when you speak. Introduce well timed pauses and use anticipation. Enjoy the opportunity to deliver your key messages to your business audience and burnish your professional and personal brands.
As an Aussie, I can’t vote in the American elections, so I am a casual observer of what is going on. I was watching a very recent interview with Donald Trump and he briefly made mention about his public speaking approach. That got my attention, because I teach this stuff. Of late, I have been using Joe Biden as an hanmen kyoshi or teacher by negative example on public speaking, so let me now bring in Trump too.
You could make the argument that neither of them are relevant to those of us in business, but I think there are lessons to be learnt. Admittedly, as business speakers, we won’t have an audience of cult like followers, who hang on our every word. I would absolutely love that, but after giving 560 business speeches so far, that hasn’t materialised as yet.
When you see Trump rallies with the background of patriotic American flags, various message placards and sea of MAGA red hats, you know he has assembled the true believers and I doubt they are much aware of the intricacies of his public speaking techniques. According to the studies I have seen, he is most popular with non-college-educated males. That automatically impacts the content and his delivery mechanisms.
In business, here in Japan, we will be speaking to the very well-educated, most sophisticated international businesspeople, Japanese and foreigners. This requires we be operating at a very high level of public speaking, because the crowd isn’t going to automatically be with us and, in fact, may think we are just spreading fake news. What we say and how we say it becomes very important in these circumstances.
In the interview, Trump said he looks for a reaction in the crowd to what he says. If he reads from a script or a teleprompter or from his notes, he found that he couldn’t get the same reaction as when he speaks extemporaneously. That is why he is so keen to wander off topic and ramble along, looking for embers to convert into flames amongst the faithful. In his Convention acceptance speech, he couldn’t keep to the main points and started to wander off, looking for inflammatory content to rev up the crowd.
I agree with Trump that this direct engagement is the best approach to working an audience and owning the room. Now, ironically, as far as I know, he doesn’t usually employ a slide deck at his political rallies. Having said that, the slide deck is the only reason he is alive today. That assassin’s bullet should have penetrated his skull and killed him, but at the most critical moment, he moved his head to the side to look at a graph up on a big screen to his right. That screen saved his life without a doubt.
In business talks, we can usually use a slide deck or we may choose to not do so. The slide deck advantage is it creates the navigation path for us and we don’t have to remember the order of what comes next. If we don’t want to use the slide deck, we can just have a simple list of topics to talk to in front of us to keep us on track. Trump’s point about looking down and not engaging our audience is correct. A quick glance at the next topic, however, is certainly not going to be a crowd disperser.
What he has found is that the eye contact with the crowd and his observation of their energy has been central to keeping the crowd with him. If we are looking at our page notes or at a laptop screen or a tablet, we are not looking at the people in front of us and that is a big error. As business speakers, we need to be equally hard working to engage our audience. This means looking at their faces and choosing our words carefully.
When we see their energy or concentration flagging, we know we have to step it up and change the pace. We may do that by hitting certain keywords much harder or even much softer. It sounds counterintuitive, but dropping down to a conspiratorial whisper is also very effective. It forces your audience to lean in to what you are saying. It is also a pattern interrupt.
When there is a change in the proceedings, that pattern break is what jars with the crowd and forces them back to listening to us. If we hammer the audience with a full power download from start to finish, we exhaust them and they tune out. The highs and lows are what we need and that variety is what maintains the crowds’ focus on what we are saying.
Whether we like Biden, or now Harris, or Trump, there is always something to learn from the positives and negatives, if we take that moment to reflect on what is going on full faced in front of us. Most people just view the speech, but never bother to analyse what they can take away from it. I am agnostic about learning from the good and bad and will happily lift, pillage and copy all that I can to improve my own speaking abilities. I suggest we all be agnostic too and look for where we can find things to make ourselves more effective communicators.
Joe Biden gave a disastrous debate performance. His team floated the idea that he had a cold and that was why his voice sounded so weak and soft. There was also talk that his prior busy international schedule had also taken a heavy toll on him. Should he have gone on with the debate? Looking back, I am sure he regrets the decision to go forward with it, rather than rescheduling. What about for us in business?
Dates for events are set well in advance, but a lot can happen in the interim. If we get Covid, that is an easy one – there is no way we can turn up and infect the multitudes gathered to hear our pearls of wisdom. What about a cold, food poisoning, toothache or something a little less dramatic than the residues of the pandemic?
If you were a man brought up in macho Australia, you would keep going and “soldier on”, regardless. But is that actually the best policy? We have to keep in mind that like Joe, we are putting our personal and professional brands out there on public display. Does anyone seriously forgive Joe for his shambolic presentation simply because he had a cold or a flight back from Italy? I doubt it. We judge what we see in front of us, and we are all so sceptical and unforgiving today. We quickly jump to conclusions and we have no tolerance for underperformance or time for excuses.
It is tough in Japan, because the number of occasions we may have the opportunity to give a talk are relatively limited, even if you speak fluent Japanese. We may not want to miss the chance to speak. The organisers will expect you to turn up and deliver and we will feel obligated to make sure the show goes on regardless of how bad we are feeling. Often, the organisers in Japan are not expecting fireworks with the talk and their main concern is that the programme is completed in full and on time. If you give a reputation destroying effort, the hosts don’t feel any remorse about pushing you to perform as scheduled. They did their bit to pull a crowd and after that, it is up to you, to carry it off.
I would suggest that we take the long-term view. Your reputation and brand are inviolable. Once you create doubt about your professional competence, it is hard to win it back. That is what Joe Biden is finding. He cannot mount enough capability to overcome the train wreck and by the time this podcast gets released he may be out entirely. Bad news moves at a fast clip and good news travels along on the saddle of a sloth.
We may compromise our relationship with the event organisers, but in most cases, we are speaking for no pay and just for glory. If Joe had said I am unwell and can’t debate on this particular date, then the whole thing would have been rescheduled, despite the inconvenience to everyone. After a day of headlines, everyone would have forgotten about it and would be focused on the new date.
Hardly anyone will remember that you cancelled your talk. However, everyone there watching will remember you were a disaster or were fundamentally unimpressive. And that is precisely what they will say about you when you name comes up. “Oh, yeah, I saw him speak once and it was dreadful”. Is that really the legacy we want to haul around with us as we move through this business life.
Making excuses doesn’t go down well either, once you do turn up. Telling the crowd at the start that you are unwell gets no sympathy vote whatsoever. Everyone expects you to be on top of your game and any excuses are seen as whining, weak, and pointless. Japanese speakers do this a lot. They start off their talk by informing us they are a terrible speaker or have a cold or didn’t have enough time to properly prepare the talk. This is all seen as tatemae – superficial truth – by the audience and as a weak flex to show humility. No one pays the slightest attention to the content of what is being said and expect the speaker to perform, anyway.
Our brand must be protected at all times. If we feel we are not going to be able to defend it, we are better to be like the ballad of Davy Crocket and come back and “fight another day”. Better to reschedule if you are not doing well and can’t pull it off. There is no upside for you to go on stage and a huge downside if you do perform and fluff it.
American politics is a must watch for the rest of us. Whoever becomes the next President will have major ramifications for every country on the planet. I will not get into a political discussion about who should be the next leader, but I do want to pick up on some relevant aspects of the campaigns. In particular, the way Joe Biden handled the recent debate and the subsequent massive criticisms of his public speaking ability.
I wonder how many of the people concerned about his poor performance are also having the same issues? The major conclusions from the debate were that he was low energy. He may or may not have had a cold, but he was certainly low energy as a presenter. What do I see, though, in most business presentations by leaders? If they are Japanese CEOs, then invariably, they are also low energy. Don’t stand out in the crowd is how you “go along to get along” in Japan, so this low energy approach is baked into the culture.
That is all right then, isn’t it? When in Tokyo, do as the local Tokyoites do when presenting. Actually, no, it is not okay. Being able to have an audience absorb our message is the goal, otherwise why are we presenting? Low energy presenters are vying with the allure of the internet for the attention of the audience. If, as the speaker, we are not gripping the listener’s focus, they will switch that focus away from us to their email or social media – while we are still talking. These days, even the good presenters have people in the crowd multi-tasking on their phones at the same time.
Here is the point: criticize Joe for his low energy, but just make sure you are not doing a version of that yourself. Are you able to hit keywords and phrases to lift their value in a sentence? Are you able to move words to a higher plane to grab interest from the listeners? Democracy is great, but there is only the dictatorship of the most important words in a sentence to be applied when speaking. Not every word has equal rights and equal value, so elevate those which are more important to your message.
Joe is certainly not a fluent speaker of English. In fact, he has never been a fluent speaker of English because of the stutter he has had his whole life. What is amazing to me is that someone with such a stutter should choose a line of work which requires a lot of speechmaking. Somehow, he has adapted his speaking to account for this stutter and that directly impacts his timing and speed of speech. Well done, Joe, for being able to take such an obvious high profile speech defect and overcome it to be able to speak in public as a politician. I hope it gives encouragement to others who have the same malady. The lesson here is if you work on it, you too can improve your public speaking ability. Maybe you won’t become an outstanding speaker, but at least you can become effective.
I have never stuttered, but I have done its close cousin – umming and ahing. This can be similarly distracting as someone with a stutter. I worked with a colleague whose every few words were interspersed with “ums”. It was seriously, seriously painful to have to listen to him. What can we do about overcoming this annoying habit?
The clue is to focus on the first word of each sentence, hit that word hard, say the sentence and then purse your lips, and rinse and repeat. Over time, the umming and ahing will lessen. I don’t think I have 100% eradicated my old habit, but I know it is a lot better today, by following this simple technique.
Another useful habit has been to use pauses more effectively when I am speaking. The filler words are just our brain buying to time to construct the next sentence and decide how we want to say our thoughts out aloud. The pause delivers the same thinking time payoff, without the annoyance.
Another criticism of Joe was that he was sometimes rambling. This happens in CEO speeches too. They fail on three levels usually. One is they don’t take public speaking seriously enough, usually because they are technical people who consider this stuff as fluff. They were great at maths, chemistry and physics at school, but were duds in English class.
Secondly, they have not spent the time and effort to sufficiently plan the speech and focus on the navigation to make it easy for the audience to follow. I was attending the speech of a global CEO pre-Covid and honestly, I was listening hard, but was still lost. He went off on a tangent and “esoteric” is a kind word to try to describe what he was on about. Actually, it was flat out puzzling what was the point.
I asked some of the others sitting at the table, after the speech, if they could follow him and, like me, they were similarly lost. When we speak, we have to make sure that the direction of where we are going with the point is clear to the audience. Each section must link to the next and there has to be a navigable flow to the thoughts and arguments.
The other speech preparation fatality is rehearsal. I will be bold and assert that 99% of business speeches are only ever given once – to that audience, on that day, at that specific time. The preparation time is usually sucked up with the slide deck assembly. No time is left to actually do a full run through of the talk before it is unleashed on a live audience.
Rehearsal allows us to understand the time control required, to check the fluency of how we deliver the talk and whether all the bits stitch together properly or not. Please, please, please schedule time for the rehearsal. Also, carefully instruct those giving you feedback, to only give you “good/better” feedback. Otherwise, they will launch a witch hunt of your public speaking misdemeanors and destroy your confidence entirely.
Joe may have been a train wreck during the debate, but let’s not crow too loudly about his faults, when we may still share versions of them ourselves. We should always be looking to learn something from both fabulous and underwhelming speakers. Remember, in the latter case, without training, “but for them there go I”, applies in spades when presenting.
What an interesting panel discussion we had. Georg Loer, an old friend of mine, after 17 years running NRW Global which stands for North Rhine Westphalia, was handing over the reins to Carolina Kawakubo. The guest panellist was Jesper Koll, a very well-known economist here in Tokyo. All three have been guests on my podcast Japan’s Top Business Interviews with Carolina #19, Georg #83 and Jesper #87. An interesting contrast in presentation styles on display that evening.
Jesper is a very accomplished speaker. He has developed his own style and is quite distinct. He brings a lot of energy, wit and solid data to his talks. Normally, his talks are a walk through his slide deck where he has assembled very interesting data on what is happening in Japan and he always brings some fresh insights to the statistics. On this occasion, there were no slides supporting what he was saying, so I was interested to see how he would approach it.
This is important, because as a speaker, if we are too reliant on the visuals for the navigation and the IP, then we can get into trouble if there is a tech glitch or we aren’t able to marshal our argument without the deck. Tech problems are always a possibility, so I suggest you just print them out and bring them with you. If the slides can’t be seen, you at least can see what you would have shown and can talk to the points. The audience can’t see them and please do not hold them up, as I have seen one memorably bad speaker do. You can grasp the main point of the slide and then just talk to that point.
Jesper, always the consummate professional, just listed the numbers off from his prodigious memory. He could paint word pictures for us, without needing to reference any screen. Now if you are like me and can’t even spell “prodigious” let alone claim such a memory, you can just note down some key numbers on notes. Don’t read the notes to us, but certainly consult them. No one in the audience is going to jump to their feet and denounce you as a charlatan and fraud for having to consult your notes.
Jesper has also come up with an aggressive technique with his audiences using rhetorical questions. He will wander over to some poor unsuspecting member of the audience seated there in front of him, and towering over them, ask them a very detailed specific question. The trick with a rhetorical question is the person on the receiving end can’t know if this is an actual question they need to answer or whether it is a question, the speaker is about to answer on their own. The panic which ensues with the audience members ensures everyone stays awake and alert when Jesper is speaking. He always rescues the audience member and supplies the answer to their massive relief.
Georg was very avuncular that evening. He has a quiet, calm manner anyway, and he was clearly giving the stage and baton to Carolina as his successor. He even dressed down, with just trousers, a white, short-sleeved shirt and casual shoes. No suit, no tie – very informal and a clever visual signal that the stage belongs to Carolina now. He spoke with that quiet confidence of having done every aspect of this investment and trade promotion work for nearly two decades and having nothing to prove and no need to impress. He knows his stuff and applied a very intimate conversational tone for that assembly of friends and supporters that evening. This very personal approach brings his audience to him as he is projecting we are all one big team here, you and I.
Carolina was such a contrast with some senior executives I spoke about recently in episode #393. They were vying with each other for selection and had two minutes to introduce themselves and sell their advocacy to the voting audience. One of them couldn’t manage that much and had to read his introduction to us.
By contrast, she was so professional. She was dressed for the occasion in a dark suit to add credibility to her talk. No notes, of course and speaking with great confidence. It is no easy thing to follow on from someone who has been in that same position for 17 years and who everyone in the audience knows intimately. Confidence is such an important element for the speaker. That sound in our voice that we know what we are doing and who we are is transmitted straight to the audience and they receive our signal. She did a great job, said the right things and said them in the right way. She was totally congruent with her talk.
So three contrasting styles with the bombastic Jesper, the calm Georg and the aspirant Carolina. They were different approaches, but they all worked for the speakers. It is a very broad church and there is plenty of scope for all of us to develop our own style as a speaker.
The premise of tonight's theme is how we position ourselves for the client before we even meet them. With the advent of social media, people will know they are going to meet you and will check you out. That wasn't possible before, but it certainly is now. So, how do we put ourselves in the best light, in the best position before we meet the buyer or the client? That's what I'll be looking at tonight.
A bit about Dale Carnegie: we're a very well-established company, 112 years old, originating in New York, and we've been in Japan for 61 years. We have 200 offices around the world and are quite well known. These are our locations, so wherever you're coming from, we’re probably there. We have eight million graduates and 100,000 in Japan. Warren Buffett is a graduate, as is Chuck Norris, one of my favourites, and the current president of Shiseido, Uotani san, is also a graduate.
These books are very well known: How to Win Friends and Influence People, Hito Wo Ugokasu, How to Stop Worrying and Start Living, Michi Wa Hirakeru, all very well-known books. They sell well. Dale Carnegie's book, How to Win Friends and Influence People, is consistently in the top ten business books in every language every year around the world. In the publishing industry, they say there are two massive long-sellers: one is the Bible, and the second one is Dale Carnegie's book, which is just incredible but true. So it does very well.
My theme here is that in business, know, like, and trust are some fundamentals. People have to know you to do business with you. They have to like you, generally speaking. While we might do business with people we don't like, it's not our preference, and they have to trust us. Now, I'm not going to deal with like and trust tonight. That's too much, but I’ll deal particularly with getting to know you, and we'll look at that.
So, how do I build credibility before I meet the buyer? How do I establish that remotely? That’s what we'll be looking at.
In 2010, I was scared of social media. I wasn’t on any social media at all, and these are the themes I was worried about. It was an unknown thing to me. I didn’t understand it. I thought, oh, my identity will be stolen. They’re going to hack my credit card. Trolls will hammer me if I post something. I was scared. At that time, social media was fairly limited. LinkedIn was the longest-running, but it was really a recruiting site for people posting their resumes. Facebook was mainly in America. Twitter was only four years old by that time, and Instagram was only one year old. It was all very new, and I was scared of it. Then something happened.
I met Jeffrey Gitomer, an American, a very famous author on sales, and an interesting character. He attended our Dale Carnegie International Convention in San Diego, which, by the way, is a beautiful place. I was very impressed by San Diego. He said to the convention delegates, all Dale Carnegie people, "How many people are on Twitter?" Nobody was on Twitter. Trust me, nobody. At that stage, he had 30,000 followers on Twitter, and he basically said to us, "You are all idiots." He didn't say that directly, but that was the message. "You should get onto social media." I thought, well, okay, he’s probably right. I should check this out. So that’s where I started.
I also got into a thing called content marketing. I had never heard this expression before, and there was a very good podcast with Joe Pulizzi and Robert Rose called This Old Marketing, which was really pioneering and promoting the whole concept of content marketing. I started listening to these guys and learning about content marketing, which was a revolutionary idea at the time: you put your best stuff out there for nothing. At that time, people were protecting their IP, hiding their details, their data. But they said, no, you put it out there. That was not a typical idea at that time. So I was studying that.
Today, I have 27,680 followers on LinkedIn and 3,383 articles and blogs published on LinkedIn. On Facebook, I have 4,200 friends. I’m not really big into Facebook, to be honest. On Instagram, I have 536 followers. I only started Instagram recently. On Twitter, I don’t have many followers. I’ve never quite come to grips with Twitter myself. I post on it but never look at it, basically.
As mentioned by Jeff, we started YouTube in 2013 and called it Tokyo Japan Dale Carnegie TV. Now, we have 1,920 subscribers. It has taken a long time to get over 1,000 and close to 2,000. Very hard work. We have 2,500 videos on YouTube, which is a lot. And of course, we’re a training company, so we have lots of content in the areas we cover. Another big influence on me was Grant Cardone, another American, a very famous hardcore sales guy, very successful. He makes this point: we are all invisible. I was talking about know, like, trust. But if you’re invisible, how do you build a business? People don’t know you, and that’s what he’s on about. People don’t know you. You have to make a big effort to get out there and be known. So I took that on board and said, okay, I have to become more visible. I have to work on that.
Social media is one of the big content marketing delivery mechanisms. We’re trying to get attention. Where is the attention on social media? Are we where the buyer's attention is found on social media? Are we where they’re looking on social media? In Japan, YouTube kills everything with 102 million. Next is Line, of course. X, formerly known as Twitter. Instagram, Facebook, TikTok, Pinterest, and LinkedIn. LinkedIn has very low numbers, just three million. But if you’re in the expat community, it would be an incredibly high proportion of people on LinkedIn. My personal main target is expat leaders because I have all these Japanese working for them who need training. If I can get to the expat leader, maybe I can get the whole company. So that’s one of my targets.
Yes, it’s true. Facebook is basically Japanese. The comment was that Facebook is like LinkedIn for Japanese, and very true. I post all my stuff on Facebook. I post on all these things except for Pinterest. I don’t do Pinterest, and I can’t work out how to use Line. If I could work it out, I’d probably do something there, but I haven’t yet. We are trying to dominate our niches as a training company.
This gets tricky because we have three main curriculum areas: leadership, presentation, and sales. If we were only doing leadership, that would be one level of content we need to produce. But we’re not just doing leadership, so we have to produce a lot of content to compete with others who specialise in leadership. We have to produce a lot of content to compete with people who specialise in presentations and the same for sales. So we are tripling what would be a normal company's requirement, which is why we’re pumping out so much content.
What about AI? You might think, "No problem, AI will produce this presentation for tonight." In thirty seconds, you’ve got it. How easy is this? AI will write some posts for LinkedIn, and bingo, out comes the content. We are redundant as content creators because AI will do it all for us. Well, maybe. Your rivals might be using it. Maybe you’re using it. But how can we differentiate our content? Here are some ideas.
First of all, it doesn’t know your stories. It hasn’t been able to scrape those. Your personal stories are only known to you. You have a hundred percent control of that. When you write LinkedIn posts, AI tends to be a bit generic in the way it creates content. You look at the outputs, and they all have a similar style. But if you write as you speak, in the vernacular, that’s very much you. Very authentic, very individual, and with your own point of view. AI will scrape all of the world’s viewpoints on a topic, but you have your own individual viewpoint. That’s unique.
You must become highly skilled in presenting. You can get the best content from AI, but you still have to stand up here and deliver it. AI might do this online with an avatar, but in the real world, no. It can’t do it. Have your own personal style, which is hard to duplicate.
Some of my differentiation approaches include using my title, Dr. Greg Story. I have a PhD, and I use that distinctly because I’m in the training business. You’d rather be taught by Dr. Story than someone with just a basic degree, right? So I use that as a differentiator through my education as branding. I use a lot of alliteration when I write: "super sushi service." It’s alliteration. I use that style for my writing and use words in unexpected ways, normal words but in slightly unexpected ways. When you’re reading, it feels a bit different because it’s me. Others won’t do it. AI certainly won’t do it. I try to use unusual words to differentiate and have a style that’s recognisable. I hope that when you see my stuff, you’ll say, "Oh, that’s written by Greg Story" as opposed to anyone else. I also try to include personal stories to connect with my audience and make the content relatable and memorable.
So, AI is a tool we can use, but to truly stand out and make our content unique, we have to infuse it with our personal touch, experiences, and style. That’s something AI can’t replicate.
Again, to differentiate, to have a style that's recognizable. I hope that when you see my stuff, you'll say, oh, that's written by Greg's story as opposed to it could bewritten by anybody. And then try to include personal storiesto connect with my Now, I I avoided that.
And I broadcast, as Jeff said, video. I broadcast audio.
And then, what's your message?
And then, you can have a story with a lesson, a parable, something that you've learned. Something happened. You've learned a lesson from that and you share that lesson. So these are some typical storytelling themes we can use when we're putting together our content.
But I finally broke through as a presenter. I started sharing my personal information. I found I could connect with people in a way I wasn't able to connect so well before.
But we have these self limiting beliefs. The point is we've got to get over those. If we're going to project ourselves into the market and be credible with clients before we meet them, they've got to know us. We've got to get out there.So let's work on that.
But we've got some self limiting beliefs.
For example, I had a meeting with the president.
I had a meeting with Suzuki Taro, the president.
I hate being recorded on camera. I'm an introvert.
I knew where to hit certain words and phrases, key ideas,and bring my energy to that point in the sentence. Very hard for AI to know how to do that. So these are things that differentiate.
I think the name Story, someone can correct me here, but it's actually originally a Scandinavian name.
I try to make the client the hero.
I try to use my own cadence, my own rhythm. When I'm highlighting key ideas and phrases, which again, it's going to be very hard for AI to replicate that because it's my definition. For example, I've recorded one of my books,Japan Sales Mastery, whichn just about killed me, I've got to tell you. I can't believe how hard narrating your own damn book is.
I used to be scared of the camera, but I've managed to get over that and I am an introvert, actually. So this is very taxing for me tonight to have all these people in the room with me. I'll have to go home later and lay down for quite along time to recover.
I'm a very private person, Jeff. I don't share much. If you look publicly online, you find very little about me personally.You will find a lot of stuff about presentations, leadership, sales, not a lot about Greg's story.
I'm not beautiful enough or handsome enough to appear on video.
I'm not photogenic at all. I always look terrible in photographs.
I'm not photogenic.
I'm the guide.
I've got a very raspy voice from ten million kiais in the karate dojo, actually.
In this room, we put a green screen set over there. We set up the camera here and I will record myself on green screen video.
Include the names. Even if you have a code name for someone, include the names.
It automatically sent to my YouTube channel with the audio podcast and also, the podcast video goes to YouTube.
It was and I didn't do anymore after that. It's exhausted me. But someone else could narrate it. But I wrote it, so I knew where to put the emphasis.
It wasn't planned.
It's out there about a very small amount.
Much better. There's got to be a context. Something'shappening in the background. Something's going on. What is it? Bring out that background.
My Saturday mornings are writing every week. Saturday morning, I write. I write one on presentations, one on sales, one on leadership.
My voice sounds terrible.
Now I'm not handsome.
So I can multipurpose my one piece of content very, very effectively.
So I start, in my case, always with a blog text.
So include the people in the story.
So my copywriting structure looks like this.
So that text gets turned into podcast audio.
So this is multipurposing of content.
So we have different stories. We have the warning story, we can writeabout that. Bad things are coming.
So we're going tell some stories. Now, someone said to me tonight, oh, your name's Story. That's handy if you're gonna be in the storytelling business.
So, we need, I believe, to master video and audio and text in this modern age.
So, who are we according to what does Google say about you? Who are you when you look up Google?
Story, which got anglicized in the great Viking invasion of England, I believe in the eighth century. So there we go.
That audio will go to the podcast and will go to a place called Libsyn, Liberated Syndication, which hosts podcasts on Apple Podcasts. It's got a huge list of different podcasts they get my content out to. That's what all those little green arrows mean. But it also turns up on my YouTube channel as audio.
The opportunity cost of no action because in a lot of cases, people think no action means no cost. That's not true.
The plan, let's get rid of the villain. Let's fix thatproblem.
The villain, client's problem.
Then I'll record those for my podcast.
Then, this is important.
Then, we have the narrative arc. There'll be certain characters in the story.
There'll be some conflict, some problem, or a big opportunity. What is that? Set the context with the opportunity. Then there's gonna be a resolution. Could be good, could be bad, but there'll be a resolution one way or another.
There's a teleprompter behind here and I'll be reading theteleprompter of what I've written and I'll take that text and I'll turn it into video.
There's an opportunity cost there. And then finally, the solution, the happy outcome. We talk about that.
We can have the success story, hey, we did well. We can have a humorous story, something amusing. We can have a branding story, talking about your company and how great you're doing and how you're helping save the world, etcetera.
What's the learning? What's the thing you want to get across to people? So that's an arc in the narrative. When you're writing a story, you're putting stuff together to think about.
What do you find? Yahoo, Bing, ChatGPT, YouTube, Amazon. If you search yourself on these items, what does it tell us about you? Who are you? I'm possibly going to be your client. I want to know about you. This is where I'm going to look. This is where I'll go. And what will I find?
Now, a lot of Americans have said to me that they can't use Facebook for business because there are a lot of embarrassing frat house photographs of them in very compromising positions, drinking very exotic-looking drinks with umbrellas in them, in very bad locations with very dodgy people. So they are excluded. But I said I was terrified of social media. I came late to the party. What you'll see on these mediums is me in business all the time. You're not going to see me casual very often. I control it.
So if you look up Greg Story, there are seventy-one entries on Google, forty-four on YouTube, ninety-one on Bing. I stopped at page ten. Chat GPT, one entry. I did a presentation last December for the American Chamber Sales Committee. At that time, I wasn't even existing on Chat GPT. So finally, I made it. I'm there. And it's actually correct. It wasn't hallucinating. I'm actually there. And then YouTube, there are fifty entries. I stopped at fifty. There's a lot more. And then Amazon, one entry. What's going on here? I've got, well, seven books already published, and the eighth one is with Amazon right now. So Amazon's search engine is not very good. So anyway, I don't know how that works.
So what has been useful for me to become known and credible with my potential buyers?
LinkedIn is my main medium for business, and this is what my front page looks like. You see lots of me in action. I'm running a soft skills training company. So what am I doing? I'm teaching or I'm speaking, naturally. And then, here I am. My name is not Dr Greg Story. The name in LinkedIn is Dr Greg Story, franchise owner, master trainer, executive coach, leadership sales, presentations, Tokyo, Japan. That is what's in my name bracket on LinkedIn, not just Dr Greg Story. And then, it talks about global master trainer, executive coach, three-time best-selling author, global business expert, leadership, sales, presentations and communication president. There's a lot of propaganda about me on that one page, and then you have all of my postings would come after that. Massive numbers. In this case, on LinkedIn, three thousand three hundred and fifty of them.
And then, as I said, twenty-seven thousand six hundred and eighty followers. Post impressions, seven thousand thirty-two in the last seven days. In the last ninety days, seven hundred and sixty-four people looked at my profile. Eight hundred and seventeen people searched for me. How many people are searching for you? You go to your LinkedIn, have a look at your number. How many people are searching for you?
When I see that number's high, I'm happy. It says that what I'm doing is working. They're searching for me. I'm trying to find them, of course, but they're looking for me. I may not know who they are, but I'm giving them what I want them to find. I'm packaging it up. I'm saying, this is me. I'm credible. I can do everything on leadership, everything on sales and presentations. I've got it. That's what I'm saying.
So Roberto DeVito was the editor of the American Chamber Journal, and I used to submit articles to the journal. I made a big mistake. When I first submitted them, I thought, you've got Dale Carnegie on the wall over there. I thought, well, Dale Carnegie, he's the icon. I can't compete with the icon. So I never put my name and photograph with the articles, only my name. Until one day, I was at an event. I gave someone my card. “Are you the guy that writes those articles in the American Chamber Journal?”, I said, yes. I realised, you idiot. You should have put your own face and name, so people could recognise both instead of just the name. Trust me, my face and name is on everything I can find now, to catch up.
But I met, actually, I bumped into Roberto across the road in front of the Ark Hills building one day just by accident. I'm having a quick chat, because he's editing my articles. I'm putting them up there. He said, “Greg, why don't you start a podcast?” Here's my response. “What's a podcast?”.
I'd sort of heard of it. In the 1990s, there were podcasts, and they sort of disappeared, and they came back in the mid-2000s, right? 2013. So and I thought, wow, a podcast. Okay. So I'll take that on board. So this was a re-creation, but this would have been me back in 2013, 2014 actually, with this exact mic recording my podcast. I had zero idea. I was clueless. I didn't even think about the mic, you know. I didn't know the quality. But now, for the techy people here, and I'm sure there's a lot of techy people here. I use a Shure SM58 microphone. I use a Zoom H6 handy recorder, which actually is recording this presentation right now. I use Adobe Audition for the editing, and I use Libsyn to host my Apple podcasts. So that's some of the tech. Now, I'm not going to discuss what we do for the videos because there's a lot of lighting and camera and stuff for that, but we have a lot of gear for all that stuff. So I'm better organised now.
So what did I learn about podcasting?
First of all, don't be an idiot like me. Spend the money and get a good quality microphone. Straight up. Don't muck around. Get the right gear. Find a platform which can upload your content to multiple areas like Libsyn. You need something like that. If you're gonna do interviews, the guest provides the IP. Jeff has been a guest on my podcast, Japan's top Business Interviews, and he provided all the IP.
But if you're doing it yourself, then you need to have content. And I have a lot of content, as I'll talk about in a minute, because I can do that because we're in the business of doing training. So we know about leadership, presentations, sales, communication. And you got to be like clockwork. We say weekly. It's got to be weekly. You can't miss. And if you're going to do it, commit to it. There are so many podcasts that fail within the first ten episodes and they quit. Don't be one of those people. If you're going to commit to it, keep going with it. Don't worry about the numbers. Keep going with it. You'll eventually get the numbers you want.
So, this is my first podcast, August the second, 2014. Every Thursday, Leadership Japan Series. This is where I started. So now, we've got nearly seventy-four thousand five hundred ninety-nine downloads. Five hundred and fifty-nine episodes weekly.
Now, in 2016, I'm following this content marketing. The guru says, niche down. Right. But, get ready to ride the tiger's back. Because what I thought was, okay, niche down, I am going to break them out. The Leadership Japan series had content about sales. It had content about presenting. I know, I'll break them out and separate them. I'll niche down. “How hard could that be”, I said to myself. Well, once you jump on to the tiger's back, as soon as you jump off, you get eaten. So you have got to be careful what you do here. So I started with one and then I presented this one. This is November third, 2016. Every Tuesday, this has twenty-three thousand nine hundred and fifty-two downloads. We're up to episode three eighty-five on this one. And then I did this one, which was the Sales Japan series. It's every Wednesday, three thirty-one thousand three hundred and sixty-seven downloads, three hundred and eighty-five episodes.
But the work to produce these additional two was much bigger than I expected. But remember, we are a training company. We are doing all of these areas, so we have to have content in each of these areas to compete with companies who only do sales, only do leadership, only do presentations. So we just triple our workload immediately and we're prepared for that.
Now, in 2018, Google said, we are going to now do voice-based search as well as text, and I believed them. And I thought, bingo. Because how many blogs were there in the world in 2018? Major, major, major number of blogs around the world. How can you compete with so many millions of people producing billions of people producing blogs?
And I thought, ah, audio. I have a lot of audio. Maybe I can win in the audio market. It's hard to win in the text market. So I know, I know, I got a great idea “Why don't I create more audio?”, I said to myself and try and dominate that voice-based search.
Well, guess what? You Google Greg Story, you're not going find much in the vocal department from Google. Thank you very much. Where's my voice-based search, Google? Still not there. So anyway, but I didn't know that. I believed them.
So I was inspired by, some people might remember the show, Tokyo on Fire from Tim Langley. It was a very good program on politics. So, yeah, I was inspired by this. I said, “you know what? I'm going do video”. So this is how I got started. The first one, my weekly podcast. So December 28th, 2018, I started doing my weekly podcast, and then I converted it into a video and put it on YouTube. So now we've got nine hundred and ninety-three videos, nine hundred and twenty-four subscribers, not a big number, nine hundred ninety-five episodes weekly.
So if you look at this, I'm doing six podcasts a week, fifty-two weeks a year. I'm doing three videos a week, fifty-two weeks a year. It's a machine. I've got a machine behind me. It wasn't there when I started.
I was terrified of social media. My colleagues, who were twenty years younger than me, had social media. I said, yeah, it's a fad. I was wrong. I was wrong. Now, I don't have twenty years to play catch up, so I have to run hard.
And these are some of the lessons I learnt from all this. So first, don't be afraid of social media. Second, repurpose content. So once I created all this, I realised the power of having all this content. So I turned it into books, as Jeff mentioned. These were the four books that were done. These three were audiobooks and Kindle. This is the latest one, done on audiobooks and Kindle.
It's a lot of work, but you can turn it into other things. So what I did was, I took the content from the podcast. The podcasts are turned into transcriptions. The transcriptions are turned into books. And I've done, as I said, seven books like that. This is an example of repurposing the content. Take the content and put it everywhere. Don't be afraid of social media. It is a gold mine. Don't worry about the numbers. Don't worry if you have no viewers, no followers. Keep producing, because people will start to come to you. But be like clockwork. Every week, deliver. Don't be afraid to get on social media. Don't be afraid to put your face out there. And, very importantly, get a high-quality microphone. It makes all the difference.
Then, I wrote this one, Japan Presentations Mastery because we teach presentations and we want to get more business. So, we wrote this and then we did Anata Mo Purezen No Tatsujin. We translated it, so we have a Japanese version. I rewrite the books for a Japanese audience. I write it for a foreign audience first, for the expats, the CEO, who's going to buy training, and then I rewrite it for a Japanese audience.
Then I wrote this book.
Stop Wasting Money On Training.
I think that's a bit counterintuitive for a training company.Subtitle, “how to get the best results from your training budget in Japan” because I realized you couldn't find any books on on how to pick a training company. We are experts in training. So I wrote a book, a neutral book. It's not a propaganda piece for Dale Carnegie. If you read it, it's not like that at all. It's very, very neutral,very objective, but it talks about the things you need to think about. When I go to see the client, I’ve got two books.This is one of them.
Now, theres presentation and sales and very shortly leadership and I give them both.
Do I care if they read them? No. This says, we are expertson training. That's enough for credibility. Okay?
This is my new book. I say, we're waiting for Amazon to give us the thumbs up. Could be tonight. Could be tomorrow morning. It's that close.
I have never seen any books in English about leading in Japan written by foreigners.
If you can find one, let me know. I couldn't find any.
I believe this is the first book ever written on this topic. And the target audience are expat CEOs who are leading here to help them because these are the people who pay for our training, who have the decision making power or at least get me in front of the HR team to try and convince them to take us on as a training company. So very, very fresh.
Very, very fresh.
And I call it your complete leadership toolkit and it is a very complete book. So now, I have soon to be eight books, right? Coming up will be eight books.
Then, I will rewrite that leadership book for a Japanese audience and we'll translate that. That'll be number nine.
So everyone's heard of Gary Vaynerchuk, I presume. He's a legend. He's an amazing business person, incredible entrepreneur.
He took reality TV, combined it with motivation, and he combined it with education.
And he has another trading name as Gary Vee.
He had a guy following him around, video him all day long, which they cut up and brought out. He's unbelievable volume producer.
But Gary Vee or Gary Vaynerchuk has thirty people working in team Gary, chopping all this stuff up. He's a legend.
He says, I heard this recently, you have got to post twelve times aday.
I'm like, “that's ridiculous”.
How could you do that? Well, guess what?
I'm posting twelve times a day.
I counted them up. The blog goes to LinkedIn. It automatically goes to Facebook and Twitter. Now, purists would say,you're a very bad boy, Greg.
You should be recrafting that for Facebook and you should be recrafting that for Twitter instead of sending in the same stuff. Hey. Do I have that sort of time? No.
I've got three areas, presentation, sales, and leadership to cover. I'm busy. So I just flick a switch and bingo. It's there. Done.
I upload something I'll talk about in a moment called Fare Bella Figura. I'll talk about that shortly. It goes to, to LinkedIn and I share it also to Facebook, Twitter, TikTok, Instagram.
I upload video shorts to LinkedIn, then they get switched over to TikTok, threads, and Instagram, which is actually twelve a day.
So I'm actually doing what Gary Vaynerchuk said to do. I thought it was impossible, but I'm actually doing it. Amazed me.
So we need a mindset shift here.
We need to be agnostic about the funnel that brings the client to us.
But we got a brace for trouble.
We're doing something new. We should try it anyway. And if it doesn't work, well, you know, retreat if you have to and don't say no for the buyer in terms of trying something new. And if it works, go all in and ignore the critics and hammer it. So this is something that I was thinking about.
There are some fundamental business truths.
People judge us when they first meet us based on our bodylanguage, how we're standing, how we move. The second thing they judge us on is how we're dressed. They look us up and down. They're checking us out. They're making judgments. We haven't even opened our mouth yet, but they're making judgments, first impressions about us.
So we have to control that first impression and we mustbecome more knowledgeable about image control in business.
So I had some innovation considerations.
I found people often complimented me about the way I'm dressed.
I thought, can I drive that as a differentiator against my competitors in the training industry? Can I take that and drive it harder?
I didn't see any businessmen blogging about what they wear except for people who are in the clothing business.They got their own boutiques or whatever.
I didn't see any business people blogging about men’s clothing.
So I needed to execute though in a very light low touch manner, because I'm pretty busy and I have to have the guts, right, to court trolls, mockery, derision, abuse and hatred by putting myself out there and I was scared to do it.
I thought, you know, if I put out what I'm wearing, man, I'm going get hammered by these people. Well, I'm just going to be abused all day long.
So I took a deep breath.
I said, okay, I'll go for it.
Here's my premise and every one of my blog starts like this. I run my own soft skills training franchise business here in Tokyo. And many years ago, I decided to dress for success.
Each day, I consult my schedule and that day's work content drives my sartorial choices.
Before I head out the door every day, I check myself in the mirror and ask, do I look like one of the most professional people in my industry?
That's the premise, okay?
Then, this comes up. This is the Fare Bella Figura. In Italian, it means make a good impression.
I use Italian because I think it's pretty cool. Sounds better. Fare Bella Fugira. Sounds pretty good in Italian,bright? So, master your first impressions. Be a sharp dressed man. Now, which is the band we know about being a sharp dressed man? ZZ Top. You know that song, Be a Sharp Dressed Man. I thought, that's pretty cool. I'll use that. So I put in Be A Sharp Dressed Man.
Now, this is what they get. I put in very detailed comment on what I'm wearing. You can see all the stuff on LinkedIn. This is just what I'm showing you. It's like wallpaper. And I have a photograph of me. But guess what's in the background?
Nineteen twelve. Dale Carnegie. I'm taking it right here. So, I'm promoting the company and the longevity of the company at the same time I'm promoting what I'm wearing. Right? So, I'm getting double value there.
So, now, here's the distressing part. Here's the results.
My handcrafted, really carefully written blogs, which I work really hard on every Saturday morning and come up with these eight hundred thousand word pieces, I get two hundred impressions on LinkedIn.
The first Fare Bella Figura, when I put up, sixteenhundred impressions. I felt like crying.I couldn't believe it. Like, just show me in a suit and I get sixteen hundred. I'm writing all this stuff on leadership and presentation and sales and I get two hundred. And it continues to outrank my other blogs. Still.
So, at the end of my blogs, there's a sales funnel. There are three lead magnets and then the description about my podcasts and my books and about me and all the propaganda is there.
Guess what? On the end of all these posst, that same propaganda is there.It's there. It's a funnel to get people to come to our websitethrough these lead magnets.
So here's some takeaways.
Observe trends. I've noticed, and this audience is not very good representation of that, but suits are coming back for men.
Suits are coming back for men. Ties are going to come back for men. Shoes, serious shoes, not sneakers.
It's coming.
Check me in five years to see if I'm right.
But I feel it'smoving in that direction. I might be an early mover maybe in this trend. I don't know. I don't know. I might be totally wrong.
Let's see.
There's a gap in the market. No men are putting themselves out there talking about what they wear every work day. I only do it five days a week. I only do Monday to Friday when I'm at work. Right? So what's my point of view and experience here? Got to embrace that, some new ways to engage an audience.
How do I differentiate myself from my rivals?
Try something new and stop if it doesn't work. So these are some ideas for you on how to control your image, your message, your content to hook into the client's mindset before they meet you. So you're crafting their expectations about who you are and what they can do with you before you even meet them.
Now, I don't know everything about digital marketing. This is only what I've done myself and I'm sure there are many things I can improve which I don't even know about. So if you see something tonight and you say, what are you doing, you idiot? You should be using this and you should be doing that and don't you know about this? Tell me, because I'm still educating myself about this stuff.
I'm a boomer, but in here, I'm still nineteen.
So with that, I'd like to invite you, who has the first question? Thank you.
It is not often that we get a front row seat to watch a group of very senior businesspeople compete with each other when presenting. If you like blood sports, then this is right up your alley. This is a zero-sum game for seizing the brass ring and even better, it is conducted in the full glare of the assembled masses. This is an annual event, which, as a Master Trainer of presentations and public speaking, I always look forward to.
Being the eternal optimist, I always imagine that this year I will be delighted with the high levels of professionalism on display. This could be a leading indicator that the senior ranks of companies are understanding the importance of presentations, persuasion and storytelling skills.
We all know the pressures in business and the levels of competition are getting more and more intense. Throw in the rapid advances of technology and we have a boiling red ocean of difficulty, which we all must deal with. These executives are always a good gauge of the ability of business to keep up with the demands. Sadly, another year of no change and no improvement.
These executives have two minutes to convince the voting members that they should be selected over their rivals. On this occasion, there were no women in the mix, which in itself is a worry, but that is another podcast. Every year I take detailed notes on what I am seeing and not seeing.
Typically, no one seems to have a clue about what to do with their hands. More importantly, they have no idea how to make their hands work for them. Gestures add strength to our words and are a powerful amplifier of our message. Holding our hands around stomach or groin level or even worse, behind our backs, eliminates the opportunity to use this powerful message driving medium.
Gestures need to be held up high, so that they are easy to see. The maximum holding time is up to fifteen seconds, after which the gestures lose all their power and just become annoying. Pointing fingers or fists at the audience are very aggressive gestures and are best replaced with using the open palm instead. The desired effect is the same without the aggro.
Eye contact is another major lost opportunity. In a one-minute period, we can engage directly with ten people and we should be doing that all the time we have available to us. The alternative is what these executives were doing, which was not looking at the audience and just vaguely scanning the room, not focusing on anyone in particular. A type of fake eye contact effort.
It was a large venue with hundreds of people and so optically, when we select one person down the back to focus on, the ten people sitting around them all feel we are looking directly at them too. We can get ripple effect going with our eye contact and in one minute engage with eleven people.
This wasn’t happening. The result was the speakers seemed detached and not engaged with their voters. This makes the message more difficult to drive in because the power of the eye contact is completely diffused and rendered useless.
Voice strength is important too. One of the aspirants asked me for a few hints about five minutes before he was due to start speaking. I know him well. He has a very demure manner and is rather softly spoken. I told him to simply increase his vocal power. He may have feared that he would be screaming, but I assured him that would not be the case at all. I knew that this would help him to come across as more credible and confident. He did that and turned out to be the highest vote getter. A few of the speakers let their voice trail off at the very end of their talk, when doing the wrap up. This is extremely bad and leaves a weak final impression. Don’t let it fade out. Instead make it a crescendo at the end and finish with strength.
Another surprising thing was how little the speakers understood about how to use a microphone. There was a microphone stand for them to use and almost all of them stood too far back away from the microphone. They were losing vocal power as a result and this diminished their dynamism in the eyes of the audience.
One of them added to his woes by getting his feet positioning wrong. If you point your feet at ninety degrees to the audience, you are balanced and will be able to focus on the entire audience. If, like him, you get the angle wrong and are off fifteen degrees, without knowing it, your body positioning is now turned such that you are ignoring about a third of your audience on one side. Don’t ignore your audience.
To my horror and astonishment, one company President of a very large and well-known firm, chose to read his entire speech from hand held notes. This is a two-minute speech and he can’t manage that at his level? I was thinking that is a pretty sad state of affairs at his age and stage. There is absolutely no need for that.
If you do, it ensures you look down at the page and do not engage your audience. It screams out you are out of your depth entirely. Unsurprisingly, he got the lowest number of votes.
I shouldn’t be too harsh though, because up until my early thirties, I was terrified of public speaking and fled every chance to participate. At least he was up there on stage giving it a go. I wondered whether I should reach out to him and suggest he can do better than reading his talk out to us. It is a tricky thing, so I will dwell on that a bit more. It may have the opposite effect and he may take offense at my implied suggestion that he is crap presenter, which he is.
One major and disappointing absence in this melee was storytelling. It was a very dry boring affair for the most part. These are not boring, wallflower type people who have done nothing with their lives and careers. They are international businessmen with years of adventures and experiences under their belts. No one seized the opportunity to weave a fascinating story into their talk, to really grab hold of their audience and monopolise their attention for those two minutes.
I would give none of these senior executives a passing grade and worry about how effective they are in their role as leader. They are the guide, explaining the future direction of the business and they have to convince everyone to follow them. I cannot be confident they are doing a good job of it.
For all of us, we need persuasion power and that means being able to get up and speak in a convincing and professional manner. If that is beyond you, then get the training, preferably with us, but at least get it from somewhere reputable. The need is not going to diminish or go away. It is only going to become more intense.
Our presenter was vivacious, sparky, bright and engaging. She works in a cool area of business and has the opportunity to see what works and doesn’t work in many industries. This enables her to pull together terrific insights and back these up with hard evidence based on numerous case studies and who doesn’t love a good case study. A big crowd turned out to hear her talk, so the place was packed.
Chatting before we started, she mentioned in passing that she had not planned the talk and was going to wing it. I thought that was “brave” but in a bad way. The talk has been advertised for weeks. She knows when it is on, so why would she want to wing it? I just dismissed that as either bravado or laying out an early excuse, in case it bombs as a presentation. Either way, I didn’t believe it and sure enough, when she went through the slide deck it was obviously structured and well planned. She was speaking to what was on screen, so definitely no “script” required, but it had a plan.
Early in, she said something disturbing. She mentioned that she intended for this to be an interactive talk. This sounds pretty sexy, getting the audience involved and it can be, but I got worried immediately. Her invitation to contribute to participate flags the issue of time control.
Whenever we invite the audience to chip in with their thoughts and experiences, we lose the ability to keep on time. Some responses are short, but many are surprisingly long. I am always amazed by how much pent-up demand there is out there for people to add their two bobs’ worth. Maybe these days, with everyone so engrossed with their individual phone screens, the opportunity for some people to speak up has shrivelled and they are desperate for their thoughts, musings and comments to be heard by others. When you make that “interactive” invitation, there will be a proportion of people who will take you up on your offer and more. The “more” bit is where we lose control. That impacts the overall discipline of the talk to conform to the schedule for start and finish.
There is nothing wrong with involving the audience, but it requires discipline on our part to control proceedings such that we finish on time. When we combine this interactivity at scale, we can blow out the time required to get through the prepared material. This happened to me recently when teaching a class on presentations for a luxury brand. In typical Dale Carnegie fashion, we plan our classes out to the second. People in the class, however were much more talkative than I expected and I found a dilemma of more material to cover than the time allocated. I had to drop some parts out because we had a hard stop.
The secret in this case is to skip those parts, but in a way which is not obvious to the audience. Only you know what is in the slide deck and so you can make adjustments if you need to. I just jumped to some later slides in a way which was not public to the participants. As far as they were concerned, this was all part of the plan.
Our speaker ran out of time and made the amateur error of showing us al what we had missed out because she wasn’t able to control the proceedings. This is really bad. Now the audience feels unhappy because they were enjoying the first part of the presentation and they want to receive all the value they are trading their time for. Seeing sexy slides whiz by with no commentary or explanation is really a tease, but not one we can enjoy.
My calculation was she needed about another thirty minutes to cover what she had prepared. If she had been more disciplined, she could have allowed some degree of interaction bit capped it so that it didn’t blow up the presentation time schedule. She got caught by the organisers, giving her the bum’s rush to get off stage because the time was more than up.
Reflecting on the structure, she had spent a fair amount of time at the start establishing her credentials through trip down memory lane with her career. It was relevant to what she was presenting about and it was incredibly charming, but I think it went a bit too long. Consequently, at the end she had to sacrifice the juicy bits about the case studies. She could have let her evidence do the hard lifting to establish her credibility on this subject, because she certainly had the goods. This is another discipline point – don’t get too caught up in talking about yourself, as fascinating as that is to you.
Her takeaway points were a letdown at the very end, as she wrapped up. She had the right idea, but the content was a bit ho hum. She could have come up with some harder hitting recommendations at the end to really provide benefit to the audience. No one was photographing the take aways, and that is always a bad sign with any sort of summary.
Her final impression was her rushing through the content, teasing us with the sexy bits we didn’t cover and then leaving us high and dry with humdrum guides to our next steps. The lack of discipline meant the presentation started well and just slowly imploded and collapsed at the end. She was still vivacious and charming, so that always helps. Better though to be more professional and bring value to the audience. That is what we want them to remember us for.
Foreign companies often want to appoint a Japanese person to be the head of their Japan operation. This is done on the basis that they will know what is best for the business. This proclivity has made many washed up, tremendously mediocre Japanese Presidents a lot of money and substantially extended their careers. At some point the shareholders, or the Board, start to ask why there are no results in the Japan operation.
The local chief usually manages to fend off these “rude” enquiries for a few years until the jig is up. In comes the shiny new President from headquarters who has been despatched to “fix” the Japan operation and turn it around. This typically leads to another array of problems, but that is another podcast. The idea is that the Japanese way of doing things is the best for Japan – “when in Tokyo do it the Tokyo way” kind of thing.
I remember trying to sell our High Impact Presentations Course to a foreign financial firm. The Japanese lady I was speaking with told me she wanted the “Japanese way” of presentations instead of the Dale Carnegie global best practice way. It is an interesting question, isn’t it. How far do we go to accommodate the Japanese culture and way of doing things, while still getting the maximum benefit from doing things at the highest possible level?
We do meet foreigners here who have been here for a long time and have quietly gone troppo. They are trying so hard to assimilate they are out Japanesing the Japanese. What should we do about how we present in business? Should we go troppo too and do it the Japanese “way”? What is the Japanese “way”? Here is your handy dandy guide to going troppo when presenting in Japan and how to blend in with the locals.
1. Monotone
Speak in a complete monotone voice and forget about using any voice modulation, pauses or hitting of keywords and phrases. Some people will say this is just how it is because the Japanese language is a monotone language and so there is no chance for vocal variation, as we have with foreign languages. That is almost true, except even Japanese speakers can use two mighty levers to elevate their presenting world.
Speed and strength will produce the variety needed. Slowing words down for emphasis or speeding them up both work well. Taking the strength down to speak in a conspiratorial whisper is good and so is using power to hit keywords.
2. Be Seated
Invariably, when I am invited to speak in Japanese the layout will feature a desk with my name written on paper either draping over the desk or sitting upright on a paper tent. The microphone will be on a low stand. This is to make it clear that I am humble and I am not standing above the audience, making myself out to be better than everyone else. It also means I lose my access to my body language and most of my gestures.
3. No Eye Contact
Looking a superior in the eye in samurai times would get your head cut off for insolence. The culture ensures that we don’t make direct eye contact with people when we speak and so Japanese presenters have migrated this into their presentations. They never look into the eyes of their audience members.
It also means that they haven’t realised that normal conversation and giving presentations are two different things and different rules can apply. The engagement of the audience members through six seconds of individual eye contact are foregone in order to keep your head on your shoulders.
4. Weak Voice
Speaking softly is a cultural preference and so why not keep that going when presenting? The speaker is under-powering their presentation, so often, it is hard to hear what they are saying and there is certainly no passion involved as demonstrated through voice projection. This guarantees the speaker has almost zero presence in the room.
5. Few Gestures
Holding the hands in front of the groin, behind the back or together at waist level are all favourites. Each position locks up the hands and cancels out using any gestures to emphasise the message being delivered.
6. Casual Posture
Having the weight displacement 70/30 is common and usually it results in one hip being kicked out to the side. Swaying around is also popular as they speak. These are all distractions from the message, but no one is conscious of that, so they keep doing it.
7. One packed slide
Cramming everything on to one slide, with five tiny different fonts and six colours, is definitely a typical effort by Japanese presenters. The rule that we have to be able to understand the point of the message on the slide in two seconds has been tossed overboard in favour of a full noisy baroque effort.
Good luck with out Japanesing the Japanese when it comes to the Japanese “way” of presenting.
The Lord Mayor of London covers the whole con-urban spread of greater London and the Lord Mayor of the City of London covers 1.12 square kilometres of the financial district with a population of nearly 11,000 people, so it is a bit confusing. Alderman Lord Mayor Professor Michael Mainelli gave a speech to the British Chamber of Commerce recently. I didn’t know anything about him, but sitting there listening to him, I immediately noticed how smooth his delivery was. He had good pacing, good voice strength, some appropriate humour and an engaging manner.
He is well educated at Harvard University, Trinity College Dublin and the London School of Economics. We all know that being well educated and teaching at University are no guarantees of public speaking ability and prowess. In the Lord Mayor’s case, he has had a very successful business career as a founder. He is a chartered certified accountant, computer specialist, securities professional and management consultant. His talk was an amalgamation of capabilities built up across a broad spectrum career.
Being highly successful in your career is a great contributor to exuding quiet confidence as a speaker. Often, when we are making our careers, we may be trying to be a bit too strong, a bit too strident, too loud, too forceful because we are in a hurry. Bringing these attributes into the speaking world is not a great idea. Professor Mainelli’s demeanor was that of a person with good levels of self-awareness and an unhurried manner. That unhurried manner was very convincing. He didn’t come across as trying to be persuasive, but was persuasive.
I was thinking about that for myself. I am a very high-powered presenter, well that is always the feedback I get after my presentations, so I take it at face value. However, can I learn something here and take a leaf out of his book? Obviously, throughout his career, Professor Mainelli has had numerous opportunities to speak in public, and it shows. What we see today is the accumulation of all of those years of speaking, and it is a very polished example of how to be persuasive.
Was he like that at the beginning? I doubt it because this is a finite skill we develop, not something we are born with. We all benefit from substantial practice of any art. Perhaps speaking opportunities were thrust upon him and he learnt how to become better. I should have asked him, shouldn’t I, when I was chatting with him after the talk. I will remember that for the next time I meet someone who is so highly skilled.
What can we take away from his example? Firstly, study the art or do as much speaking as possible and keep adjusting your techniques on the basis of your evolution as a speaker or even better – do both. This sounds simple, except I ran away from every speaking opportunity until my early thirties. I was terrified of public speaking and would have been one of those people ranking it in surveys ahead of death! You may also be an avoider like I was. If you want to become competent as a speaker, you have to give talks. It is like trying to teach someone to swim on the deck of the pool. It is a great theory, but nothing happens until you dive into the water and get wet and start swimming around.
Grab the slightest chance of speaking in public. Yes, it is terrifying at the start, but it gets less so as your frequency mounts up. Tony Robbins, in one of his books, talks about how he purposely decided to speak as much as possible. He realised that most speakers only get a few chances a year and he could match their annual total experience in just weeks, if he got enough speaking spots. He went for it and has turned that speaking facility into a career, business and massive wealth. Being nine feet tall probably helped too.
Getting proper coaching is also the quickest way to get much better. I have done some public speaking training with different organisations, but nothing has matched the High Impact Presentations course that we teach. I don’t say that to sell training, but as an objective statement based on my experiences. My broader point is to go get the training. I lost a decade of potential experience and career advancement because I let fear rule me. I didn’t engage my brain and say, “the way to overcome the fear I have is to get proper training”. I was too stupid for that logical consequence of having a problem and needing to fix it. Don’t be like Greg!
I still look for any chance I can get to speak, because I know this will help me to keep pushing myself and keep improving. My records tell me I have delivered 558 public speeches so far. Am I satisfied with that? No, I am certain that I can still improve and get a lot better. All I need is the chance to keep polishing and keep improving. I now aim to achieve the zen like “mind of no mind” effortlessness that the Lord Mayor of the City of London displayed in his remarks. What about you? What are you going to do to become competent and comfortable as a speaker, someone highly persuasive and influential with those around you?
“Will It Blend” was a genius idea from Blendtec, kicked off with a $50 budget in 2006. The campaign saw Tom Dickson’s videos go viral and take a boring blender manufacturer into the pantheon of marketing presentations. They have 187 videos on YouTube and 845,000 subscribers to their channel. So far, their YouTube channel has had 294 million views. Not bad for a blender maker duking it out in a red ocean of blender suppliers.
I suggested to a client of mine that they take a leaf out of Blendtec’s playbook and do the same for their boring drill bits. Being my client, I actually never used the word “boring”, but at least floated the idea for them. “Will It Drill” I thought could be a goer for them, however they never went for it. Instead, they keep doing the same old promotions using catalogues of products with potential buyers.
Another client of mine is an equipment manufacturer, and I came up with a suggestion for them. They get a lot of calls to their call centre for help with running the equipment. These calls often come from part-time staff in the stores who can’t understand how to use the machinery or fix simple issues. They are not well trained and with the difficulty of recruiting staff only likely to get worse, the chances of them getting better trained are fairly remote.
I suggested that they create a series of “reality TV” style tutorial videos for the 20% of the problems which make up 80% of the calls to the call centre. This would relieve the call centre staff of boring, repetitious work. It must be extremely hard to tell someone over the phone how to fix machinery.
You make the videos once and so the investment is able to be amortised over many years, because the machines don’t change that much and the issues are probably the same all the time.
This means no scripts and low production values. Initially I thought to get a real technician in the company’s technician uniform, to go through the 12 steps or 7 steps or 5 steps or whatever, to fix the problem. Edit the video well, to make it easy to follow and put this up on YouTube and on their website. When people call in with these typical issues, the call centre staff can just direct them to the videos and say “call us back if you have any further problems”. The chances of that will be very low I would guess. This was an elegant solution, I thought.
Then I had a further thought and a more radical consideration. I wondered about going a completely different direction from reality TV to Hollywood. Given the people in the stores are not technical people, why not get someone who is also not technical to walk them through the steps, so it is more accessible? There is a local foreign businesswoman here I know, who does a lot of MC work for luxury products. She is really beautiful, really blonde and speaks excellent Japanese. That would be a killer combo for this job in Japan. I would also dress her up in an evening gown, with her hair done perfectly, to accentuate the tinsel town glamour. Get her to point out what needs to be done step by step. It is a counterintuitive approach and may even go viral like Blendtec.
This got me thinking about how we present what we do. Are there some areas where we can think in a differentiated way about how we present our solutions to potential clients? What about for your business? What are you doing now and what could you do if you really considered something innovative and differentiated? We all get into a rut of the same old, same old about how we present our brand and our solutions. Year after year, we do the same thing and probably basically the same approaches as our competitors.
Blendtec has shown how to take a very dull, utilitarian solution and make it sexy. My “Will It Drill” client never took any action when it wasn’t so difficult. For whatever reason, inertia took over, and he is still working hard to sell drill bits in a crowded market. He can only differentiate on price, which is not something any of us want to do.
I don’t know if my client will go for the glamourous blonde Hollywood bombshell solution to fixing common requests for help from clients, but I hope he does. I am also thinking now about how do I take my own advice and what can I do with my training business? How about you? Has this article stimulated any would be Blendtec marketing innovations for you?
We are usually asked to speak at events by some hosting organisation and these can be breakfast, lunches or evening occasions. Each has its challenges. Not that many people seem to be great in the early mornings and the energy level of the audience can be very low, as they are still sleepy. This sleepiness is definitely a problem for after lunch presentations too. Many are ready for a nap after hoeing down a big meal in the middle of the day. In the evenings, people can be tired after a hard day’s work and their concentration spans can be limited.
As the speaker, we may suffer the same issues, but the adrenalin kicks in and we become sufficiently energised to complete the presentation. There are issues around how much information an audience can absorb when attending our talk. We, of course, are sold on the topic or subject because we have prepared a presentation on it. We have gone to a lot of trouble and have been highly motivated to give the talk. We may let that enthusiasm blind us to the reality of what it is like on the receiving end.
This is where presentation technique become very important. I see so many speakers who ignore half their audience when they present, by simply not getting the feet placed at the correct angle – ninety degrees to the audience. These speakers get their feet angle at forty-five degrees and without releasing it, they are now only talking to one side of the room and are deleting the remainder from their view and attention. Don’t do that.
Another issue is they lose sight of their audience. They are looking over the heads of everyone or looking at the screen or looking down and not making any eye contact with the attendees. This is a massive mistake. We have to make sure we are watching our people like a hawk. If we see they are losing interest or their energy is flagging, we can take remedial actions to fix the problem. By looking at members of our audience for six seconds each, we can make sure we not only engage the listeners, but we can always gauge their interest levels in what we are saying.
If the energy goes down, we may need to get them physically involved by raising their hand to a question. This question should be designed so that basically everyone has to raise their hand. This way we get the maximum involvement and this helps to wake up those who are drifting off into slumber, with their eyes open. As we say “the lights are on, but nobody is home”.
Another method is to pause and stop speaking for about ten seconds. Actually, ten seconds can feel quite long, as we are used to continuous palaver from speakers.
This is called a “pattern interrupt” because we provide a consistent audio rhythm when we are speaking. When we turn it off, the sleepy attendees wake up because something has changed. They become alert again, springing from a deeply rooted and basic survival tactic.
If we have been going hard with our delivery, we can wear some audience members out. We are hitting them with so much energy, it is thrashing them.
This is something I have to be careful about, because I am a very high energy presenter. If I see I am wiping people out with my overpowering energy, I need to bring in more lows and reduce the crescendos. This is not that easy, because as the speaker, we get into a rhythm too with our pacing. We are up and away and it is hard to rein yourself in, especially when you are enjoying yourself.
One of the unnecessary pressures we place on ourselves can be too much content for the time available and we rush. This gets very ugly, very fast. The audience realise immediately that the speaker has screwed up the time allocation for their delivery and now panic is setting in, as the presenter races through their slides. It looks very unprofessional, and as it comes at the end, it poisons our final key impression with the crowd.
We may have been doing very well and everyone is enjoying the talk and getting a lot of value. We suddenly go crazy and start rushing. Effectively, we delete all that good will we have built up during the presentation and we replace it with a negative recollection of ourselves.
Rehearsal is the cure for the time control problem. However, if you cannot do a rehearsal and you realise during the delivery that you have to stop, don’t rush through the slides. When you do that, the jig is up and everyone is on to you.
Instead, just stop on the slide you are on, wrap it up and call for any questions they may have. Remember, only you know what is in the slide deck. When you race through and show them what they missed out on, the unhappiness is increased. It is better to not reveal the gap.
When doing the Q&A, don’t forget to repeat the question, so that everyone can hear it, as long as it isn’t a hostile question. Never repeat or amplify an incoming unfriendly missile. With that situation, we always paraphrase to take the heat out of the question.
Don’t just look at the questioner either. Give them some eye contact and then share your answer with the rest of the audience as well.
Finally, close it all out by repeating your main message and take your bow, enjoy the applause and finish on the mark. Everyone will be very happy you respected their time and they will regard you as a professional.
I am terrible. I procrastinate about starting the assembly of my presentation. Invariably, by holding off starting, I create time tension, which forces me to elevate the priority of the presentation and lift its urgency above all the other competing demands on my time. I should start earlier and take some of that tension out of my life. So, everyone do what I say, don’t do what I do! Start early.
The first point of departure must be working on the clarity needed around the key message. What is the point we want to get across? There are always a multitude of these and it is quite challenging sometimes to pick out the one we want to work on. Part of my problem is perfectionism immobilising me. So let’s all suspend perfectionism and just be happy to get started, knowing we can finesse what we are doing later.
Once we have settled on the key message, we need to make sure that anyone would care about that message. It might be intoxicating for us, but it may not motivate anyone else to get excited. A reality check is in order before we move forward. Will there be enough traction with the audience we are going to be presenting to? We should have a fairly clear idea about who will be interested in our topic and what some of their expectations will be.
After the reality check, we start to construct the talk. Counterintuitively, we start with the end. We settle on the actual words we need for our conclusion, because this is a succinct summary of what we will talk about. Getting that down to a few sentences is no easy feat. It is simple to waffle on, but it requires skill to be brief and totally on point.
Next, we plan out the chapters of the talk to deliver the goods to prove what we are saying in our conclusion is true. In a forty-minute speech, we can usually get through five or six chapters. Here is a critical piece of the puzzle. We need to rehearse the talk and carefully watch the time. It is very difficult to predict accurately the required time until you run through the talk. We may find we are short on the content or too long and we need to make adjustments. We certainly don’t want to discover that on stage in front of an audience. We all feel cheated when the presenter start rushing at the end and the slides go up and come down in seconds. You simply can’t follow what they are showing to the audience and that leaves a very negative impression at the end of the talk.
Now we plan our start. This is the first impression of our talk. Well, that is not quite true. The audience will be making critical judgements as to how we command the stage and how we get underway. Juggling slides on the deck is a bad look at the start. That should definitely be left to someone else, so we can get straight into our opening. Don’t thank the organisers at this point, we can do that in a moment. We don’t want to waste the opening with a bunch of generic bumf. We need to grab hold of our audience at this point and then never let go of them.
The audience may be seated in front of us, but they are a thousand miles away with their collective consciousness floating above the clouds. They are focused on everything else but us and we have to induct them into our orbit and command their complete attention. So, we need to plan this first sentence extremely well, because it will set the tone for the rest of the event. Remember that fear of loss is greater than greed for gain, so we hit them with how they can avoid losses.
We might say something along these lines, “it is shocking how much the change in the market is going to cost us all and we are talking about serious money here”. That start fits just about any talk subject and is a bit of a Swiss Army Knife of starters. The market is always changing and invariably some will gain and others will lose. Our job is to point the audience in the direction of how to avoid losing money.
The cadence of the talk is we need to tell a story every five minutes to keep our audience with us. Storytelling is like superglue and will bind the listeners to us until the end of our presentation. That means we need at least five or six good stories which make the point we are selling. Including people they know or know of, is always good because that technique is a great equaliser and connector with the audience.
We need to prepare two closes – one for our formal end to the talk and another for the final close after the Q&A has ended. We need to brief the organisers that after the Q&A we will wrap it up and then they can bring the proceedings to a formal end. If we don’t do that, they will just end the talk before we have a chance to drive in our key message for the last time.
We will know if the talk has succeeded by the faces we see in the audience. If they are paying attention right through, that is a good sign. If they are nodding in agreement, that is an even better sign and if they are engaged through their questions, then there is real interest.
A sea of bored faces is not what we want to be looking out at. If that happens, we really need to raise our energy and start getting the listeners physically involved. We can do this by getting them to raise their hands in answer to a question from us. We can’t overdo this or it quickly becomes manipulative and, it is obvious to everyone what we are doing. But we need to raise our energy and their energy to keep them with us.
So don’t be like me and instead start the prep early!
I was in a recent debate with the Dale Carnegie organisation about approving the publication of my new book “Japan Leadership Mastery”. There were concerns about copyright, because I was drawing on the Dale Carnegie curriculum for the book. A book is a powerful content marketing tool, so excluding the Dale Carnegie oeuvre defeats the purpose. One argument I made to them was I could rewrite the book and strip their content out and replace it with generic stuff summoned up from AI. This is the problem we all face. AI makes originality very difficult to sustain when it is so easy to coagulate all that is currently out there.
I create these podcast episodes every Saturday morning and when you have composed over three hundred articles on presentations, it gets harder and harder to come up with something original. I try to find angles I haven’t explored before and to write them in a way which an AI prompt could not replicate.
When we are creating our public presentations, we face the same problem. Any fool armed with AI can come up with a presentation which will assemble the best of what has been published already or at least what the machine could find from public sources. How do we make sure that what we are presenting is not getting pushed down into the sludge to battle with what AI can churn out in under a minute? How can we thrash our AI powered competitors within an inch of their lives?
At this point in time, we are lucky that most of the AI production for presentations is generic and sounds generic. Originality for me means the choices of words like “thrash”, “oeuvre”, “coagulate”, “sludge”, and “churn”. These are unlikely candidates to emerge from an AI prompt to create a presentation on any subject. I have always tried to write like this anyway, to make myself stand out from the crowd. Today that AI assisted crowd is surging. In fact, it is accessing the entire global production of text on every topic.
Don’t panic yet. Our experiences are sacrosanct turf, which protects us from AI mindlessness. No AI prompt can capture what has happened to us and our recollection of it. In our storytelling, we access those incidents and we use them in concert with our take on the lessons from what happened. This is a guaranteed way to remain one step ahead of AI generated content. Of course, AI can magically bring forth a slew of stories of other people’s experiences, but as a presenter relating to an audience what happened to us is unbeatable for making that human connection.
I resisted sharing a lot of personal insights and experiences for a long time. I am a very private person, an introvert in fact, who has to operate as an extrovert. It is always tough. People who know me would never know that because I push myself in public to be outgoing. When I finally got over myself and started including more things about me and my family in my talks, I noticed that I connected more powerfully with the audience. AI won’t know that level of detail and so can never match us in a live situation.
The other arena in which to slay the AI dragon is when we are on stage, standing there in front of a live audience. Our rival presenter may have been fed a steady diet of homogenised content from AI in prepping their talk, but can they rock the audience like we can?
This is where knowledge and execution diverge. It is the same with technical presenters. They have all the data, statistics, details, etc., but they speak in a monotone and murder their listeners. They are dull dogs, with way too much micro data plastered all over their one slide, which in fact should have been spread over six slides. They are unable to create some buzz with the crowd. They have no clue how to penetrate that invisible barrier between speaker and those being spoken to.
They don’t know how to bring gesture, voice tone, body language and eye contact together in an unstoppable vortex to completely capture the room and drive in their message. No amount of AI prep will help them. This is where the AI powered speaker runs out of gas. They can put up the bare bones of the AI generated presentation, but they don’t have the ability to flesh it out and make it a triumph.
When you know what you are doing, you can dip into elements of AI for help, but for presentations, you have to be able to stand up and cut it. This is the Age of Distraction and Era of Fake News and we only have one shot. These days, with the micro patience of audiences we face, you don’t get any margin. If you sound boring, they will immediately lunge for their mobile and depart from you and your message. They will escape straight to the internet, to much more intriguing worlds like their email, LinkedIn, Facebook, Twitter, Instagram and TikTok.
AI is only a problem if you are a crap presenter. For the rest of us, let’s give AI powered presenters a sound public thrashing and blow them out of the water.
Almost 100% of presentations that I see in Japan are one directional. The audience sits there passively and the speaker presents to them. There is no interaction with the audience. I was watching an interview with Clint Eastwood in his approach as a movie director. He was talking about his famous Western “The Unforgiven” and talking about how he shot some key scenes, such that the faces of the actors were in the shadows and not fully revealed. I can’t remember exactly how he expressed it, but he said you don’t have to show the whole face with full lighting, because the audience is intelligent. They can fill in the gaps. I thought that was a good metaphor for presenting.
As the presenter we don’t have to show everything in full lighting from our side. We can create some gaps and allow the audience to fill in the blanks themselves from their imaginations and their viewpoint. We do this to some extent already when we use rhetorical questions. These are questions which we pose to the audience but we are not actually asking them for an answer – we provide that after a suitable hanging pause.
What about if we actually make it a real question and source the answer from the audience? Now we cannot be doing this every five minutes, as that will be massive overkill, but we can drop some questions into our talk. We might plan to use these questions to overcome flagging energy and declining interest from the audience. This is why you never want to be lowering the lights when you are presenting. You want to be able to study the faces of the people arrayed in front of you for any signs of distraction, boredom, or tiredness.
When I did my TED talk, the audience was in complete darkness because all the lights were blazoning away hitting me up on stage and making it impossible to read any reactions. It was very unnerving, especially when you are used to being able to study the audience reactions to what you are saying.
Now when we ask a question to the audience here they are confused. Firstly, they are not trained for this and they are not sure if this is a rhetorical question, which we will answer or whether they actually have to answer.
The next line of confusion is who amongst the audience should answer this question. In Japan, no one gets any prizes in life for going first, so it almost guarantees that everyone will be holding themselves back.
The third line of confusion is fear. They worry if they get the answer wrong, they will look like a fool in front of everyone. They also fear that someone else will come up with a much more intelligent answer than theirs and they will look stupid.
So casting a question before an audience here is bound to get no immediate answer. We have to help them by setting it up. Just blasting forth with a question is a bit shocking, as this is not how things are normally done. We need to say something like, “In a moment, I am going to pose a question, because I am very interested to get your experiences and ideas on the issue”. Now we have fired off a warning shot, so that when the question is unloaded, no one is surprised.
We help them even further by using our eye contact and gestures to indicate to an individual or a group of individuals that we want to hear their answer. By holding out our hand gesture palm up, it is very unthreatening. If we used a pointed finger instead, that is very aggressive and will drive a shudder of fear into an audience with its power.
We simultaneously use our eye contact and look at a member of the audience we are indicating to, thus requiring an answer. It is always good to pick those who were seated on the same table as you, if it were a luncheon or breakfast event, or someone you were chatting with at the start, as you will have established some rapport. Depending on the relationship, we can call out their name as we ask the question, “So Suzuki san what has been your experience with….”.
We should immediately thank them for contributing and start applauding and inviting the rest of the audience to join us in recognising them. We might even say, “let’s thank Suzuki san for sharing her experience and let’s also recognize her professionalism to volunteer her answer”. This opens up the floor now to call on other people. We don’t do too many of these at the same time.
It can become a distraction. It can also suck up a lot of time. Not everyone is able to be succinct and get to the point. You may also inadvertently discover some people who have a lot of pent up need to talk and they will hijack your presentation. Now you are on the back foot trying to regain control of proceedings, and that is not a good look for the presenter.
At the very end wrap up of your talk you can again recognise those who contributed their ideas and get everyone to applaud and thank them. They leave feeling a mile high and the rest of the audience feels you did the right thing by the volunteers. It ties a nice bow on the presentation and ends it elegantly.
TikTok, Reels, Shorts, etc., are video snippets training everyone to micro absorb information and stimuli. If it doesn’t grab our attention in three seconds, we are off that screen and scrolling forward to find something more interesting. The modern instrument of torture for the presenter is the mobile phone. It whips our audience away from our message and us, to the siren calls of the internet. Presenters must understand that how they start the presentation is that same three second space which will determine whether the audience pays any further attention to us or starts reaching for their phone.
When we are called up to start speaking, the uber judgmental audience assesses us for reasons to flee. The worst mistake we can make is to dive straight into the laptop screen and get bogged down in the logistics of getting our slides up on screen. Either have your slides up ready to go or get the event hosts to remove their holding slide and replace it with your slide deck and your first slide. Do not become the mechanic and have your head down under the hood. Your body language is screaming “I am ignoring my audience”, while you tap away on the keyboard, looking totally absorbed by the screen.
Instead, walk to the center of the stage facing your audience, command the room and add in a dramatic pause of ten seconds before you start speaking. You need guts to pull this off, because ten seconds of silence is long. Silence creates a vacuum, which confuses audiences used to feasting on constant stimulation. It creates a postive tension in the room which stops people chit chatting and being absorbed with each other.
It forces everyone’s attention to the stage and they mentally begin asking “what is going on?”. This is good, because they are focused on us now and we can use our body language to project, “I am so confident, I can hold all of you in silence, before I choose to start”. This confidence is convincing and sets the right platform for us to launch forth from.
There are physical and mental barriers separating the speaker from the audience. We must shatter that barrier. We do that with our stage positioning, body language, eye contact, gestures and how we direct our voice. Depending on the venue, the stage could be at a distance far from the audience or we could be able to walk inside the audience area.
If we are far away, we need to work on projecting our ki – our intrinsic energy - to reach the farthest members of the crowd. We should be pushing our ki all the way to the back wall and sending our energy to the audience members in the cheap seats at the rear. We can also move to the apron of the stage and stand as close as possible to the audience, towering over them to bring more physical presence to our talk. People talk about having “Executive Presence” and this technique is that “Presence” on steroids. We can choose to move to the wings of the stage and standing on the apron, work on those members seated to the sides as well, to bring them into our web.
When we are far away from the audience, we need to make the most of our gestures to bring energy to the point we are making. You cannot get this effect if you have your hands behind your back, in your pockets, arms folded across your chest or hands coyly protecting your groin from the audience. Open body language must communicate, “I am not afraid of you. I welcome you close to me to receive my message of hope. Come to me, come to me”.
The gestures add to this openness by using inclusiveness through open hands and the wide spreading of the arms. Many speakers in our training are afraid to use big gestures, yet once they use them and review them on video, they realise it doesn’t look too much as they feared. In fact, they can see it makes for much better communication of the points of their message.
We add to the power of the gestures by locking our eyes with each member of the audience, one by one, to drive in the message. The objective is the eye contact is so intense that they feel we are speaking exclusively to them and there are only the two of us in the whole room. An important point is to lock on to just one eye of the person you are looking at and not split the power of your gaze.
By moving from one audience member to the next every six seconds, we use the power of our eye contact to fill the entire space in the venue. In one minute, we can make direct, intense eye contact with ten people and in ten minutes we have covered off one hundred audience members. If the talk is forty minutes long, we get to repeat this engagement intensity four times for each individual. We will fill the entire room with our presence when we do this.
If we are at floor level amongst the crowd, we can use our physical proximity to connect with the people seated, by standing over them at close range, to drive home a key point. We can’t stay there though, because the pressure is too strong. We must retreat to a more neutral location to reduce the intensity. We don’t just do this once - we go back in again and again and take a series of bites like a shark in a feeding frenzy. It is like a blast of unassailable energy, which we choose to release whenever we want to make a strong point and drive home our message.
Body language, in combination with our full delivery onslaught, makes for a differentiated, powerful, memorable brand building presentation and that is what we want, isn’t it?
Snatching defeat from the jaws of victory is a bad idea and yet so many presenters do it. I was attending an Annual General Meeting event and the organisation President gave a short talk. The content was appropriate for the occasion. The length was good, not too long and not too short, the voice strength loud enough to be easily heard, and the cadence was easy to follow. Unfortunately, he managed to slip an “um” into just about every sentence. This is a filler word to allow the brain to assemble the next words, and it is always a catastrophe for presenters.
He was a mature man, so presumably, he has always been peppering his sentences with this filler word and has now built it into a solid habit. I am not even sure he is aware he is doing it, but as the listener, it grates on you and grates every sentence. Effectively, he is opposing himself whenever he speaks. He has his message he wants to impart, and he defeats that message getting through, by creating an annoying distraction for his audience.
There is a cure for this bad habit and it just talks time, patience and discipline to break it. Pursing our lips becomes the technological intervention we need to stop using filler words. When we start a sentence, hit the first word with a little more strength than the other words, so that no filler word can intervene. We now concentrate on speaking continuously and smoothly with no breaks – again we deny filler words any entry points.
When we get to the end of the sentence, we purse our lips together, so no words can emerge and we get ready to hit the next first word in the sentence slightly harder than the other words. We just keep repeating this process.
It won’t eliminate filler words automatically or immediately, but you will find you no longer start your sentence, as a lot of people do, with “um”. The flow continuity of the sentence is important. That doesn’t mean we cannot use pauses.
The pauses need the same application I described we should use at the start of the sentence. When you get to a pause, you are effectively starting again, so purse the lips so no “ums’ can emerge and hit that next word a little harder, so no “ums” can intervene when you restart.
Keep working on this pattern and eventually you will almost entirely eliminate filler words. I know this is true, because like everyone else, I was using “ums’ and “ahs” too. Once I worked on eliminating them using this technique, life got a lot better. It is a very rare occasion today that a filler word slips into my sentences. I do a lot of training and public speaking which is not me reading stuff but coming straight out of my brain. This means there is always the problems of trying to think what I want to say and having a filler word pop up. When I look at the videos of my presentations, I can see that there are almost no filler words, so the system is working.
I was watching a video on how shoes are handmade and the cobbler had a habit of saying “you know” in almost every sentence. Technically, this is not a filler word, but it is a bad habit and again distracts the audience from our message. Not just humble cobblers get trapped with these junk expressions, which add no value to what we are saying. I was chatting with a high-powered lawyer here about how important presenting skills were for lawyers. He agreed, and he assured me he was always making an effort to speak well and differentiate himself from all the other hungry lawyers out there looking for new clients. Lo and behold, next minute he was up on stage in a panel discussion and there they were, a continuous string of “you know” combos distracting from what he was saying.
Another one is “like” which gets thrown in for no reason. It gets quite sad, when the really challenged start linking them together, “Um, well you know, like.…”. This is a lifetime of habit formation with no conscious thought going into the process of presenting in front of others. As I said, video is such a great tool. Whenever I present, I always try to video myself. I do this to drive the content out through social media but also so that I can check myself to see if I have any bad habits creaping in.
Just in case you get the impression I see myself perfect, I am working on my overuse of “so”. I have a habit of abusing this word as a bridge between chapters or sections of what I am going to say. I will finish one point then add “so” with a pause and move on to the next section. Once in a talk is okay, but more than that and it becomes a distraction I need to eliminate. I need to train myself to use a variety of expressions such as, “let’s move on”, “another key point is”, “next”, “let’s talk about”, etc. I realised I had developed this habit when I watched myself on video. I was not conscious I was using that bridge so often, so video review is always a good idea, no matter how much presenting we do.
What a double act they were. Two economists giving us some insights into where the markets are going and making sense of the world we face. Anytime you see an event where there is going to be some crystal ball gazing going on about where we are headed in the global economy, you want to be there. We are all more risk averse than greedy, and we want to cocoon ourselves from trouble by getting some early warning of what to expect. This was a Chamber of Commerce event, so I knew a lot of the attendees and did my best to exchange business cards with those I didn’t already know. In the process of doing so, I gained a very clear idea of who was in the room, what industry sectors they were in, and the relative size of their companies. Neither of the double act speakers did that.
They migrated straight to the VIP table and sat there waiting to go on. They were there to present, and that was it in their minds. For speakers, that is a basic error. In many cases these days, the event hosts won’t share the details of who is attending. We should always get there early and try to meet as many of the members of the audience as we can. This does a couple of things.
It connects us with complete strangers and creates a level of rapport with the listeners, which translates into support for us as the presenter. It also enables us to gauge who is in the room, how senior they are, how big their operation is and how long they have been in Japan. This is important, because we can adjust the level we set for the presentation to make sure we are not speaking down to anyone or over their heads.
Our speakers didn’t bother to analyse their audience before they launched forth with their canned presentation. I say “canned” because it was obvious they had been travelling around APAC giving this same presentation to various audiences. The first speaker was comfortable as a public speaker and had given many talks in his role as an economist. He did a couple of things I found annoying, as someone in my role who instructs people on how to present. He was good in many ways, but certainly not perfect.
One thing I don’t recommend is wandering around the stage as you talk. He did this and really, the movement had no relevance to the talk. There should be some theory behind the movement rather than just sashaying around the stage to show you are a seasoned speaker. There are three distances we can use. If we want to make a macro point we can move to the back of the venue, away from the crowd. If we want to make a micro point, we can move very close to members of the audience and deliver our comments at a very close quarters. We shouldn’t stay in either position for too long and we should then move to a middle, more neutral position.
When we move around, we create a distraction from our message. If we move, then we move with purpose and use those three distances, I noted, to our advantage. Otherwise, we anchor ourselves and use our neck to swivel around to make eye contact with members of the audience. As he was wandering around, he was looking in the general direction of his audience and successfully making no specific eye contact with anyone. That is a big opportunity lost to connect one on one with members of our audience.
There was one more problem with his talk. The flair of public speaking was on display but the content was rather “so what”. I keep up to date with the media and probably so did everyone else in that audience, so there were no “oh wow” moments. I felt cheated that I had wasted my time and money listening to someone who didn’t deliver any value to my investment in attending the talk.
His colleague had the same wanderlust, although a little more restrained. He also was someone who did these types of talks on a regular basis, so he was plainly comfortable to be standing up in front of a crowd and talking. The problem became obvious almost immediately when he started putting up his slides. They were very difficult to understand. For whatever reason there were a lot of acronyms in use and abbreviations. This made parsing the content on screen extremely difficult. His method of explaining it all was also complicated to a simple punter like me. People I spoke to afterward said they were also struggling to follow where he was going.
This was an unforced error on his part. He didn’t research his audience to understand at what level he needed to pitch the talk. It was way over the heads of this audience, but he probably still has no idea of that, because he wasn’t engaging his listeners. When you single people out for six seconds of eye contact and you work the room using this technique, you can see in their eyes if they are following you or not and you can adjust. He was blind to the take up of the talk, because he wasn’t using any eye contact.
As a double act, they were duds, for different reasons and they hurt their personal and professional brands. It didn’t have to be like that and with some minor adjustments, they could have done a much better job. We should take their faults to heart and make sure we are not reproducing them ourselves.